Category Archive: National Historic Landmarks
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The New Granada Theater is Granted National Historic Register Status!
February 5, 2011
New Granada Theater
Congratulations to the Hill Community Development Corporation, the steward of the New Granada Theater historic preservation project. With the assistance of the Pittsburgh History and Landmarks Foundation, the New Granada Theater was granted National Historic Register Status by the National Parks Service on January 7, 2011!
Having been stabilized with the assistance of the State of Pennsylvania and The Heinz Endowments, we look forward to the long, fundraising road ahead to renovate this historic institution as a multi-use, sustainable facility that pays tribute to its former uses, including that of a theater, office space, skating rink and even a car show room!
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Buying Here: Thornburg
Saturday, January 22, 2011By Gretchen McKay, Pittsburgh Post-Gazette
This home in Thornburg is on the market. Larry Roberts/Post-Gazette
Bidding wars are not common in Pittsburgh. Every once in a while, though, multiple buyers will set their collective hearts on a house in a much-desired neighborhood. Linda Padget and her husband, John Miller, had to outbid eight others to buy the nearly century-old Craftsman-style house at 508 Yale Road in Thornburg that is currently for sale by owner for $389,900 (www.oldhouses.com, No. 5121).
The Living Room. Larry Roberts/Post-Gazette
The couple adored the big Victorian they’d spend years restoring in nearby Crafton, but not its location at a noisy intersection.
“We wanted peace and quiet,” recalls Ms. Padget, who paid $243,500 for the house in 1999. “This was out of the way, with virtually no traffic.”
A closer view of the living room fireplace. Larry Roberts/Post-Gazette
Laid out in 1899 by two cousins who subdivided 250 acres of family farmland, Thornburg has curving, shaded streets named after Ivy League colleges and many large, Craftsman-style homes that appealed to turn-of-the-century Edwardian sensibilities. The Thornburg Land Co. advertised the new development in the Chartiers Valley Mirror as a “high-class residence district.” The borough, most likely modeled after New York’s blue-blood Tuxedo Park, also had one of the first private golf courses in Allegheny County (members cut the grass on Saturdays and played on Sundays) along with a community club and a community theater founded in 1937.
The Home's Sitting Parlor. Larry Roberts/Post-Gazette
Just 10 minutes from Downtown, Thornburg has remained a family-centered town with a lively community spirit: Both the Thornburg Community Club and Village Players are still active; the golf course, which fell into private hands for a time, is now a conservation area with walking trails for residents.
A few of Thornburg’s homes are true mansions, including the Frank Thornburg House built in 1907 on Lehigh Road, which has 7,000 square feet of living space, seven bedrooms and 10 fireplaces. The Miller-Padget house, built in 1904, is more modest, with five bedrooms, three working fireplaces with original tile hearths and just under 4,000 square feet of space.
The dining room has a fireplace and a curved wall of windows. Larry Roberts/Post-Gazette
Located on a professionally landscaped lot in the historic district, the 21/2-story house is believed to be one of the borough’s original dozen or so houses. Its exterior is constructed of fieldstone and cedar shakes; there’s also a driveway leading to a two-car detached garage. While it has been updated with cosmetic changes, none of its six or seven owners over the past 100 years made the mistake of significantly modernizing its rooms or exterior.
“Everyone took very good care of it,” says Ms. Padget. “They kept the integrity intact.”
An overhead view of the kitchen. Larry Roberts/Post-Gazette
Original hardwood floors, brass hardware and leaded-glass transoms are among the period details that dress up the first floor, which includes a 15-by-19-foot family room. There’s also a 20-foot oak bay with a cushioned window seat in the 13-by-19-foot dining room, parts of which are wallpapered with pale blue silk grass cloth.
An adjoining 12-by-15-foot living room has mahogany paneling, with windows overlooking the side yard. At first, the couple wasn’t too keen on the light blue tint of the stain on the paneling (probably not original). But they feared the room would be too dark if they stripped it and stained it dark mahogany. The color ended up growing on them.
The refrigerator sits in a pantry off of the kitchen. Larry Roberts/Post-Gazette
The recently updated eat-in kitchen features stainless-steel appliances, cherry cabinets and granite countertops; they also turned a closet into a butler’s pantry with glass-fronted cabinets, fridge and a wine rack. Accent tiles in the backsplash depict Italian scenes; the copper ceiling is faux.
The second floor holds a 14-by-29-foot master bedroom with a pair of walk-in closets and a window seat. The master bath, brightened by a skylight, has a whirlpool tub. The smaller of two additional bedrooms serves as a home office, and there’s also a newly remodeled main bath with a porcelain floor.
The second-floor office. Larry Roberts/Post-Gazette
The attic has two more bedrooms — one with a wood floor and the other carpeted — and a 10-by-16-foot “bonus” room that’s currently used for storage.
The finished basement has a game room/den with wall-to-wall carpeting, a 9-by-14-foot cedar closet and a store room/shop with built-in shelving. A vintage quartersawn-oak Banta icebox is used by the current owners as a bar. Since it’s too massive to move, it comes with the house.
The master bedroom. Larry Roberts/Post-Gazette
The fenced-in backyard is surrounded by mature trees that cloak the house in privacy in spring and summer. Year-round, there’s a fabulous view from the 14-by-33-foot deck off the kitchen, outfitted with a built-in gas grill, below-railing lighting and stereo with quadraphonic sound.
“At night, you can see the sparkling lights of Sheraden and Ingram,” says Ms. Padget, It is, she says, their favorite spot in the house. “We spend seven months of the year out here.”
The "his" bathroom ... Larry Roberts/Post-Gazette
No properties have changed hands on Yale Road in the past several years, but homes have sold on other streets in the neighborhood with prices ranging from $160,000 on Cornell Avenue to $347,5000 on Harvard.
... and the "her" bathroom. Larry Roberts/Post-Gazette
To request a brochure on 508 Yale Road, call 412-921-0508 or e-mail padgetmiller@verizon.net.
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Steelpan City
Pittsburgh City Paper
For the Week of 01.05.2011 / 01.12.2011
BY ANDREW MOORE
Jonnet Solomon-Nowlin - Steelpan Drum Instructor, owner of The National Opera House in Lincoln-Lemington - Brian Kaldorf
A local woman is hoping that the sounds of steelpan drums can revitalize one of the city’s most historic homes and the lives of young people.
The National Opera House, located on the border of Homewood and Lincoln-Lemington — and once the home of the National Negro Opera Company — has sat vacant for years. But now Jonnet Solomon-Nowlin, the building’s owner, believes her family’s U.S. Steelpan Academy can add value and structure to young lives, while bringing attention to the neighborhood’s often-overlooked past.
Steelpan drums were invented in the Caribbean — in countries like Guyana, and Trinidad and Tobago — during the 1930s. Steelpans were originally crafted from discarded 55-gallon oil drums. To achieve their signature pitched sound, two rubber-tipped mallets strike the surface of the pan, where notes have been marked onto the stretched steel surface.
Starting at the age of 14, Solomon-Nowlin’s father, Phil Solomon, founded several steelbands in Guyana; he was named Musician of the Year in 1971. After moving to Pittsburgh in 1984, he founded Solomon Steelpan Company and began manufacturing steel drums for organizations throughout the country. Solomon was the first manufacturer of steelpans in Pittsburgh.
After dedicating years to this instrument, Solomon wants the next generation to take over.
“The whole idea of the academy,” he says, “is to launch the steelpan into the 21st century, for me to pass this knowledge on to younger people.”
Solomon-Nowlin hopes not only to pass on that knowledge, but to teach young people a skill that can add value to their community.
“I would like to see steelpan and the arts and music help young people,” Solomon-Nowlin says, “by giving them an opportunity to express themselves through art.”
While she’s working to restore the Opera House, for the past several years Solomon-Nowlin has been able to teach lessons through community partnerships. And when she begins a new series of classes at the East End’s Union Project this month, it will be a step closer to running the academy within the National Opera House.
The Union Project lessons are important, she says, “and the first set of students will be a marketing piece for the house.”
Using the house as the home base for the Steelpan Academy makes sense. After all, the building has always had a role in the emerging African-American art scene, especially during the previous century.
The three-story Victorian home sits on a terrace overlooking Homewood. Built in the Queen Anne style in 1894, it was home to many prominent black Pittsburghers over the years, including Roberto Clemente, Lena Horne and Woogie Harris, brother of famed photographer Charles “Teenie” Harris.
But its most significant tenant was Mary Cardwell Dawson’s National Negro Opera Company. Launched in 1941, the NNOC was the first African-American opera company in the country. The NNOC held productions for 21 years and traveled to Washington, D.C., New York City and Chicago.
Solomon-Nowlin says she learned about this history through the advocacy efforts of the Young Preservationists Association of Pittsburgh (YPA) and the group’s executive director, Dan Holland.
The YPA is a preservation group that encourages young people to be involved in researching, documenting and eventually restoring historic places. Once a year, the organization releases a Top Ten list of the best opportunities for preservation in the region. In 2003, the Opera House was on that list.
“Their Top Ten list and the education around it, and why it’s important to preserve,” Solomon-Nowlin says, “is one of the key things that brought awareness to the project. They were able to reach a lot of people.”
And that’s what Solomon-Nowlin is hoping to do with Steelpan.
The Young Men and Women’s African Heritage Association, headquartered on Pittsburgh’s North Side, has been teaching steelpan for 15 years, and the Solomon family has been involved since the beginning. Lessons were first taught by Phil Solomon and later his daughters, Janera and then Jonnet. Jonnet gives lessons on Saturdays at the New Hazlett Theatre.
Janice Parks, executive director of the heritage association, says the steelpan is a good fit for her students.
“It’s an easily accessible instrument,” Parks says. “You don’t have to have years and years of experience to be great. [Students] can pick up two mallets and an hour later they can play the melody line of a tune that’s familiar to them.”
Adam Warble, an instructor at the academy, agrees, and says “it’s definitely a popular instrument — it’s fun.” Warble says that his young students get particularly excited when he mentions current hip-hop songs that feature steelpan. But Phil Solomon stresses the versatility of the instrument. “Steelpan was actually created to play classical music,” he says.
Parks says her students learn to play everything from “Bach and Beethoven to Stevie Wonder.”
When the academy begins teaching at the Opera House, Warble thinks it will be “absolutely wonderful. Especially since the steelpan was invented in the Caribbean” — where the culture is heavily influenced by the African diaspora. “[And] since [the home] was a hub of African-American cultures, I think it’s wonderful to bring that back to the Opera House.”
The next step is bringing back the house itself. Solomon-Nowlin has recently hired grant-writers to find funding for the home’s restoration. Architects, electricians and carpenters have all agreed to work with her, and some have already donated time to the project.
Now, she just needs to raise enough money to begin the restoration, and to begin turning the Opera House back into a home for music. But she’s quick to point out that because her forte is music, she can use all the help she can get on the restoration side of this dream.
“I’m not in the preservation business,” she says with a laugh, “I’m just in it by default. My key thing is to just make sure it’s preserved. We really have to push forward.”
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Allegheny West’s Annual Holiday House Tour Shows Off Style, Taste and City History
Saturday, December 04, 2010By Patricia Lowry, Pittsburgh Post-Gazette
Alex Watson's North Lincoln Street home. Bob Donaldson / Post-Gazette
On Thanksgiving eve, when I called Alex Watson about previewing his house for next weekend’s Allegheny West Victorian Christmas House Tour, I assumed it would be too early to see it in holiday garb.
“Oh, that won’t be a problem,” he said. “My Christmas tree has been up for three years.”
When your house has been on the tour for 28 of the event’s 29 years, leaving the artificial tree up and decorated in a corner of the library seems the expedient thing to do.
Next to it, on the mantel, stands the illuminated Dickens Christmas village Mr. Watson made decades ago of fiberboard, crowned by London’s St. Paul Cathedral and complete with Scrooge & Marley’s counting house. It’s now a year-round feature, too.
And next to that, on the wainscot ledge, stand a dozen smaller buildings closer to home, representing Allegheny West houses that have appeared on neighborhood tours. He and his neighbors made those, too, for sale to tour-goers in years past.
Anything to support his beloved Allegheny West, the North Side neighborhood in which he and his late partner, Merle Dickinson, settled in 1960, when they purchased the North Lincoln Avenue home. Then broken into 17 (now 10) apartments, it was far from the showplace it is today.
The red brick house, originally a two-story built between 1864 and 1865, was enlarged to its present three-story size and Romanesque Revival appearance in the early 1890s, when a library also was added to the front of the house.
Grain merchant John W. Simpson was the original owner; Joseph Walton bought it in 1888 for daughter Ida Walton Scully and her husband, glass manufacturer James Scully. In 1917 the house was sold to James S. Childs, a shoe, rubber and leather wholesaler whose wife Alice was Ida Scully’s sister.
In 1923 the house changed hands again; the new owners were Samuel and Margaret Crow, who lived there and rented rooms to boarders. The house stayed in the Crow family until 1960.
The library in Alex Watson's North Lincoln St. home is decorated for the holidays. Bob Donaldson / Post-Gazette
The house’s architect is unknown; none surfaced during architectural historian Carol Peterson’s extensive house history research. Mr. Watson thinks it may have been Longfellow, Alden and Harlow, who in 1889 completed a house across the street commissioned by B. F. Jones for his daughter Elizabeth and her husband, Joseph O. Horne, son of the department store founder. It’s a good bet, considering the richly carved and paneled oak interior finishes, the melding of medieval and classical influences and a first-floor layout similar to the Horne house. The firm designed 13 buildings within a radius of several blocks and Frank Alden had lived just around the corner.
Restoring the home’s original features became a decades-long passion for Mr. Watson and Mr. Dickinson, who did much of the work themselves. And there was much work to do. While most of the interior woodwork remained, the first floor’s front parlor, library and dining room had been its own apartment with kitchen and bath.
One bathroom occupied a corner of the entrance hall; during its removal, the owners discovered a long-lost corner of the hall’s original mantel. From that remnant, they re-created the mantel and over-mantel and warmed up the room with a gas fireplace.
The hallway in Alex Watson's North Lincoln St. home is decorated for the holidays. Bob Donaldson / Post-Gazette
Mr. Watson has his regrets, including removal of a mantel and overmantel in the front parlor to gain wall space. They recycled it as a bar and back bar in the former kitchen, now a game room outfitted as a bordello dedicated to 1920s neighborhood madam Nettie Gordon. Eventually, in atonement, they purchased a white marble Italianate mantel from a Sewickley house sale for the front parlor.
The music room in Alex Watson's North Lincoln St. home. Originally the home's dining room, the breakfront still dominates the room. The home will be on the Allegheny West Christmas House Tour. Bob Donaldson / Post-Gazette
In the former dining room, now the music room, Mr. Watson (on the piano) and friend Mark Schumacher (on the organ) plan to greet tour-goers, as they have in years past, with songs of the season. Seeing the faces of visitors as they enter the room, Mr. Watson said, “makes the whole thing worthwhile.”
The hallway in Alex Watson's North Lincoln St. home is decorated for the holidays. Bob Donaldson / Post-Gazette
Trained in nursery and landscape management at Michigan State, Mr. Watson managed the garden shop at Sears for 27 years before it became part of Allegheny Center. His courtyard garden, glimpsed through the oak-paneled music room windows, has been featured on neighborhood garden tours; this time tour-goers will pass through it as they leave.
The six houses on the tour, spread over three blocks, include Gretchen Duthoy’s red brick, Second Empire-style Beech Avenue home, a newbie to the event.
This home at 849 Beech Ave. will be on the Allegheny West Christmas House Tour. Bob Donaldson / Post-Gazette
“My house was turning 150 this year,” said Ms. Duthoy, who wanted to do something to mark the occasion. She commissioned a house history from Ms. Peterson, who discovered the house in fact was 140 years old, having been built in 1870 for railroad conductor Theodore Gray and his wife Annie. The longest ownership — 1887 to 1922 — came with four generations of the family of Christian Stoner, partner in a Strip District lumber mill.
When Ms. Duthoy, an Alcoa employee who grew up in suburban Maryland, bought the house in 2003, it had been restored by its previous owners, for whom she’d worked as a baby sitter in college.
“That’s how I came to know the house and the neighborhood and that’s how I came to live there” a few years later when they had outgrown it, she said.
Her work on the house has been cosmetic, including a kitchen update. For the tour she’ll hang family ornaments on her live tree and decorate extensively with fresh greens.
The tour, she said, is “a great showcase for the neighborhood, and I’d like to do my part.”
Allegheny West Victorian Christmas House TourInformation: Guided walking tours cost $25 per person and leave from Calvary United Methodist Church, Allegheny and Beech avenues, at 12-minute intervals from 5 to 8 p.m. Friday, and 10 a.m. to 8 p.m. next Saturday, with a maximum of 25 guests per tour. Tour guides will talk about 19th-century holiday traditions and the history of the neighborhood and the homes on the tour.
At the end of the event, which lasts about three hours, tour-goers can visit John DeSantis’ miniature railroad village and toy train collection at Holmes Hall, 719 Brighton Road, for an additional $10, as well as the Holiday Shoppe at Jones Hall, with antiques, gifts and handcrafted items. Mr. DeSantis’ train collection, open to the public only during the Christmas tour, also can be visited separately; hours are 7:30 to 10 p.m. Friday and 12:30 to 10 p.m. Saturday.
Special tours include a wine tour at 6 p.m. Friday, with wine tasting and hors d’oeuvres at a private residence, followed by the house tour ($75 per person). On Saturday, brunch tours will be offered at 10 and 10:30 a.m. and high-tea tours at 3 and 3:30 p.m. ($50 per person), followed by the house tour. With help from The Center for Hearing and Deaf Services, a signed tour will be offered at 3:36 p.m. Saturday ($25 per person).
Tours are rain or shine, snow, sleet or hail. As the Allegheny West Civic Council’s website puts it, “This is Pittsburgh and bad weather is part of the charm.” Reservations are required for all tours and tickets are nonrefundable. Visit the website (alleghenywest.org) or call 412-323-8884.
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Welcoming Vandergrift has Plenty of Special Features
By Bob Karlovits, PITTSBURGH TRIBUNE-REVIEW
Monday, November 22, 2010Many small towns have rich stories, but few tell them as well as Vandergrift.
Part of that tale is in the layout of the historic area of the 115-year-old town. Designed by the firm of Frederick Law Olmsted, the creator of New York City’s Central Park and many academic campuses, the streets arch over and around the hillside on which the town is built.
A grand theater, the Casino, sits facing a mall leading down to a train station. It was given that spot intentionally to offer a welcome to anyone arriving in the Westmoreland County town.
The town was built to provide a home for workers at the steel mill of George McMurtry. The mill has had six owners since its first, but still is working, despite the decline of the steel industry.
All of those features make Vandergrift a place where the past is a major part of the present. It makes it worth a visit to see that story.
1:30 p.m.
The Victorian Vandergrift Museum is in a school built in 1911 and, like many features of the town, is a work in progress.
With displays on three floors, it tells the story of the town in a number of ways. On the bottom floor is a room decorated with many pictures of initial work on the town along with map of the plans originated by the Olmsted firm.
If you’re lucky, you might run into Bill Hesketh, treasurer of the museum and historical society. He could tell you about McMurtry, owner of Apollo Iron & Steel, wanting to build a town that would attract workers and entice them to stay.
He would do that by having the famed designers draw up a plan for the ultimate company town. McMurtry thought a cultured worker was a good worker, so included plans for the Casino. He also saw the benefit of religious life, so provided $7,500 to any congregation planning to build a church costing $15,000 or more. He wanted sober workers, so the town was dry until 1936.
If you are lucky, Hesketh will be there to offer you some thoughts. But it will take some luck. He does not schedule tours or times he is there for visits. There are no other guides at the museum either. But simply wandering around the museum will provide a look at what Vandergrift is all about.
Victorian Vandergrift Museum, 184 Sherman Ave. Hours: 10 a.m. to 3 p.m. Mondays to Saturdays. Details: 724-568-1990.
3 p.m.
Now, it’s time to take to the streets. In some ways, the rows of houses are the story of Vandergrift.
The look of the town is somewhat defined by the rows of company homes on streets that are devoid of 90-degree angles.
When the Olmsted designers laid out the plan, Hesketh says, they decided on 50-feet-wide lots, but McMurtry thought that was way too wide. He was selling the lots, and wanted to profit from them.
They became 25-feet-wide, leading to streets of homes generally built tightly together.
Hesketh points out some people eventually bought two homes and built them together to make one bigger residence. Or they bought one and tore it down to create a bigger yard. There are some properties that were sold as 50-feet-wide and are the sites of some nicer homes, for the non-laborer class.
Take a walk around and look at the history of a town as seen in its homes. The look of the town is created by the past and the gentle curves of the Olmsted design, which even creates a non-straight business district.
5:30 p.m.
After touring Vandergrift and getting ready for the finale of this day, it is time for dinner.
There are some likely stops for a meal in town, and these three win local praise. You probably saw them as you wandered around.
The G&G Restaurant (724-567-6139) on Columbia Avenue is largely a breakfast and lunch place, but is open till 9 p.m. for dinner.
A.J.’s Restaurant (724-568-2464) is open Tuesdays, Wednesdays, Thursdays and Saturdays until 10 p.m. and 11 p.m. Fridays.
Offering a more specific dinner outlook is the Steeltown Smokehouse (724-568-4087) on Washington Avenue. The burgers-and-wings emporium is open till 8 p.m. Mondays to Thursday, 9 p.m. Fridays and Saturdays and 6 p.m. Sundays.
7 p.m.
The best way to do this trip is to pay attention to the shows at the Casino, which can be checked out at www.casinotheater.org, then plan a visit on a day ending with some entertainment.
Make sure to arrive at the Casino with enough time to look around.
The oldest, active theater in Western Pennsylvania had become a unused shell when a group that became Casino Theatre & Restoration Management took it over in 1991, Hesketh says. They brought the site back to life.
Trumpet star Maynard Ferguson (1928-2006) performed there along with the Vogues and the Clarks. The renovated theater has been the home of stage presentations. Some of the restoration meant changes from the original, Hesketh says, but some of that provided aspects that seemed to be needed.
“This place just called for boxes,” he says, pointing to box seats on each side of the stage.
Roam around the Casino. The balcony casts a good and attractive view of the stage. The lobby, slightly smaller than what it once was, offers an attractive entrance.
McMurtry thought the Casino would be a significant part of the town when it was built in 1900.
It still is.
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Old Pittsburgh Churches are a Sight to See
By Deborah Deasy, PITTSBURGH TRIBUNE-REVIEW
Monday, November 29, 2010t’s easy to overlook the oldest churches in Pittsburgh.
“Then, you come inside and see how beautiful it is,” says Sean O’Donnell, secretary at Smithfield United Church of Christ, one the city’s four oldest houses or worship.
The others — all soaring stone structures within blocks of each other — are the First Presbyterian Church and Trinity Cathedral, both on Sixth Avenue, and the First English Evangelical Lutheran Church on Grant Street.
One claims the grave of a Shawnee Indian chief. One has 13 Tiffany stained glass windows insured for $2 million. One boasts the world’s first architectural use of aluminum. One has a marble, wood and brass altar once exhibited at the Carnegie Museum of Art.
Each offers an oasis of quiet — at no charge — and sights to please even the most agnostic art lover. All offer free, informational brochures and tours upon request.
“These are real treasures for people to look at,” says the Rev. Catherine Brall, canon provost at Trinity Episcopal.
Visiting the churches helps one appreciate the city’s architectural history, along with “the depth of faith and piety that created these beautiful buildings,” says the Rev. David Gleason, senior pastor at First English Evangelical Lutheran Church.
On a recent Friday, the First Presbyterian Church wowed curious passers-by from Wyoming, Arizona, Ohio and Virginia.
“I think going to a church is a beautiful thing, regardless of your religion or politics. There are so many aspects that can be shared and appreciated,” says Morrison Simms of Jackson Hole, Wyo.
Simms’ companion — Stuart Herman of Scottsdale, Ariz. — believes a visit to such places helps couples discover and appreciate each other’s interests. “It opens dialogue,” he says.
Two of the churches — Trinity Cathedral and First Presbyterian — also offer sit-down eateries for weekday visitors. The Franktuary at 325 Oliver Ave. — under Trinity Cathedral — offers vegetarian, organic beef and gourmet hot dogs from 10 a.m. to 3 p.m. Mondays to Fridays. Our Daily Bread at 320 Sixth Ave. — under the First Presbyterian Church — serves hot lunches, soups, sandwiches and salads from 10:30 a.m. to 2 p.m. Mondays to Fridays.
Trinity Cathedral (1872), Architect: Gordon W. Lloyd.
A plaque on the cathedral’s black iron fence describes the site as Pittsburgh’s “oldest unreconstructed landmark.”
Trinity Cathedral and the First Presbyterian Church share a former American Indian burial ground deeded by William Penn’s heirs to the congregations’ forefathers. French soldiers at Fort Duquesne (1754) and British soldiers at Fort Pitt (1758) also used the ground for burials.
Today, Trinity Cathedral maintains the last 128 marked graves of an estimated 4,000 people once buried on the site. The identified remains of many have been moved to other cemeteries. The unmarked bones of many others remain interred within a crypt in the sub-basement of First Presbyterian.
Prominent folks recorded on the present tombstones include Red Pole, principal chief of the Shawnee Indian nation, and Dr. Nathaniel Bedford, Pittsburgh’s first physician and a founder of the University of Pittsburgh.
Inside the cathedral, visitors will find hand-carved pews of white mahogany, a stone pulpit covered with intricate carvings of prophets, saints and bishops, plus, stained glass windows dating back to 1872.
Trinity Cathedral, 328 Sixth Ave., Downtown. Hours: 7 a.m. to 1 p.m. Sundays, 7 a.m. to 5 p.m. Mondays to Fridays, 9 a.m. to 1 p.m. Saturdays. Services available at 12:05 p.m. Mondays to Saturdays and 8:45 a.m. and 4:45 p.m. Mondays to Fridays, and 8 and 10:30 a.m. Sundays. Details: 412-232-6404 or here.
First English Evangelical Lutheran Church (1888), Architect: Andrew Peebles.
A 170-foot-spire distinguishes the First English Evangelical Lutheran Church, second oldest structure on Grant Street. Only nearby Allegheny County Courthouse & Jail is older.
Interior decorations include a contemporary cross by Virgil Cantini; the 500-square-foot “Good Shepherd” window of Tiffany Favrile glass, and a free-standing marble, brass and wood altar once displayed at the Carnegie Museum of Art.
Also notable is the “The Presentation of Our Lord in Temple” lunette, a shimmery glass mosaic and cloisonne work made in the late 1800s. It hangs high above the church’s permanent marble altar.
Newest additions to the landmark include a 100-drawer columbarium for the cremated remains of church members and friends of parish. “There’s enough room for 200 bodies,” says senior pastor Gleason. “It’s designed as a special reliquary. … These are the bones of our saints.”
First English Evangelical Lutheran Church, 615 Grant St., Uptown. Hours: 8 a.m. to 4 p.m. Mondays to Fridays; 8:30 to 12:30 p.m. Sundays. Services available 12:10 p.m. Mondays to Fridays, 8:30, 9:45 and 11 a.m. Sundays. Details: 412-471-8125 or here.
First Presbyterian Church (1903), Architect: Theophilus Parsons Chandler
Tiffany Studios designed 13 of the church’s 26-foot-by-7-foot stained glass windows, now insured for $2 million. All were hand-painted, making them unique among Tiffany windows.
“Each of the windows cost $3,000 when the building opened in 1905,” says Bob Loos, a deacon who gives tours. “As soon as you get a little sunlight coming in, they take off in brilliance.”
The Tiffany windows, however, are just a few of the 253 stained and leaded glass windows throughout the sandstone church.
Also notable are two 80-foot ceiling beams — each cut from 150-foot Oregonian oak trees — plus, a pair of rolling, two-ton, 30-foot oak doors in the sanctuary. “They operate on a track in the floor. … and are so perfectly balanced that one person can open or close each one,” reports the church’s free guide for visitors.
Visitors also will notice untold carved birds, animals and insects on the church’s interior stonework, including an eagle, butterfly and dove on the pulpit — representing the Father, Son and Holy Spirit.
First Presbyterian Church, 320 Sixth Ave., Downtown. Hours: 10 a.m. to 3 p.m. Mondays to Fridays, 9 a.m. to noon Sundays. Services available at 12:25 p.m. Tuesdays and 10:45 a.m. Sundays. Guided tours offered after the 10:45 a.m. Sunday service. Details: 412-471-3436 or here.
Smithfield United Church of Christ (1926), Architect: Henry Hornbostel
An airy, 80-foot aluminum steeple — supported by interior steel beams — marks the multilevel Smithfield United Church of Christ. It’s the sixth house of worship for the city’s first organized Christian congregation. The spire “has the distinction of being the first architectural use of aluminum in the world,” according the church’s Spire bulletin.
“The sanctuary reminds me of some of the big cathedrals in New York City,” says O’Donnell, the church secretary. “I was most taken by the plaster work.”
Interior features include a 19-foot rose window made in 1860, and 12 towering, stained-glass windows that illustrate Biblical scenes and Pittsburgh history, including an 1861 visit by President-elect Abraham Lincoln.
Smithfield United Church of Christ, 620 Smithfield St., Downtown. Hours: 9 a.m. to 3 p.m. Mondays to Fridays; 9:45 a.m. to noon Sundays. Services available at 12:10 p.m. Wednesdays and 11 a.m. Sundays. Details: 412-281-1811 or here.
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Woodville Plantation Offers Holiday Tours by Candlelight
Thursday, November 18, 2010Pittsburgh Post-GazetteThe Woodville Plantation living history museum will celebrate the holiday season in an 18th-century fashion with candlelight tours from noon to 8 p.m. Sunday at the historic site, 1375 Washington Pike, Collier.
Admission is $5 for adults and $3 for children ages 6-12.
The event will feature costumed guides, holiday displays and traditional decorations. Visitors will learn about holiday customs such as Twelfth Night, Boxing Day and the firing of the Christmas guns.
The full table feast celebrated during Twelfth Night will be displayed, and visitors will hear students of The Pittsburgh Music Academy perform musical selections throughout the day on a circa 1815 pianoforte.
A piece of Whiskey Rebellion history will be displayed — a flag that was once used by the whiskey rebels as a symbol of their resistance to the 1791 excise tax on whiskey.
The flag, owned by historian Claude Harkins and on loan to the Neville House Associates, is thought to be one of only two documented flags from the Whiskey Rebellion Insurrection of 1794.
Woodville Plantation, the home of John and Presley Neville, was built in 1775. It interprets life during the period of 1780-1820, the era of the New Republic. Guided tours of the house are available every Sunday from 1 to 4 p.m.
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Abel Colley Tavern Helps Preserve Fayette County History
Sunday, November 14, 2010By Marylynne Pitz, Pittsburgh Post-GazetteUNIONTOWN — Five miles west of this Fayette County seat stands the Abel Colley Tavern, a red-brick beacon of hospitality to travelers along the National Road during the 1800s.
Just one mile from Searight’s Toll House, the tavern was known for its moderate prices and hearty clientele of wagoners, who swapped many a tale over Monongahela Rye in its barroom.
By this time next year, it will be a place for even more stories as it becomes the Fayette County Museum. With 6,500 square feet, the restored building will have office space on the second floor for the Fayette County Historical Society, which currently has no regular space to meet; its members often house artifacts in their homes.
The last people to live there, Sue and Frank Dulik, left the property to Virginia and Warren Dick, who donated it to the society.
Jeremy S. Burnworth, president of the Fayette County Historical Society, stands inside the front door of the former Abel Colley Tavern, which has been restored and will become the society's new home next year. Marylynne Pitz
Jeremy S. Burnworth, the society’s 31-year-old president, is a Markleysburg native who has developed a passion for Fayette County’s rich history. At a convention in September of the American Association of State and Local History, Mr. Burnworth got excited when he learned about standardized software made by the Rescarta Foundation in Wisconsin that allows historical societies to photograph, log and archive materials.
“What a perfect opportunity to do it right from day one,” he said.
An advisory committee will oversee the museum’s operation and at least 30 people have volunteered to help staff the museum and toll house. One of Fayette County’s best-known residents has also pitched in. At an opening ceremony in July, the temperature rose to 99 degrees in the 19th-century building. Joe Hardy, the 84 Lumber tycoon and former Fayette County commissioner, offered afterward to pay for a new heating and cooling system.
One person who knows the building well is Tom Buckelew, a retired physiology professor from California University of Pennsylvania. He figures he has spent 1,500 hours working on restoring the former tavern.
“It had been modernized with drop ceilings and acoustic tile ceilings,” Mr. Buckelew said, adding that many of the rooms had four or five layers of wallpaper that had to be stripped before repainting with period-appropriate colors.
Just inside the front door is a large foyer with a staircase. On the ceiling is some of Mr. Buckelew’s best craftsmanship — a hand-carved ceiling medallion that lends elegance to the new chandelier.
“I roughed out the medallion with a band saw and then just carved the rest. That was about two weeks, three hours a day,” he said.
On the second floor is a large ballroom where Mr. Buckelew painted an intricate, ruglike pattern of mustard, brick red and chocolate brown. It’s actually a centuries-old trick for disguising uneven floors.
“It was a way of capitalizing on bad design,” he said, adding that the front part of the ballroom is probably an inch lower than the back portion. “That was a feature that a lot of people adopted in the early 19th century. In lieu of rugs, you paint a rug on the floor.”
A team of inmates from SCI-Greene spent two weeks hanging dry wall in the building. A new ceiling was attached to a plaster-and-lathe one in the second-floor ballroom. Then, Mr. Buckelew put up crown molding with the help of another volunteer, Bill Zin. Joe Petrucci, a township supervisor in Menallen, donated 400 board feet of molding.
“That ceiling is tied to irregular joists. So the ceiling naturally has some dips in it, high spots and low spots,” Mr. Buckelew said, adding that the crown molding camouflages the dips.
The building, done in a vernacular Greek Revival style, was added to the National Register of Historic Places in 1995. Jerry Clouse, who nominated the building for federal designation, dates the structure to around 1835. He said two architectural features signify its use as a tavern: the kitchen ell with a double-stacked porch and two front doors, one of which opens into the barroom.
At least one historian believes it may have been a home much longer than it was a tavern. Ronald L. Michael, a retired anthropologist who excavated around the nearby Peter Colley Tavern in 1973, believes Abel Colley’s famous tavern stood on the opposite side of Route 40, partly because there was once a well on that property which would have provided water for travelers and horses.
Abel Colley owned a Fayette County tavern just outside of Uniontown on U.S. Route 40. Volunteers have restored the 19th-century building during the past year. The former tavern will become the Fayette County Museum next year and also will provide office space for the Fayette County Historical Society.
The building that locals know as the Abel Colley Tavern, Dr. Michael said, is more likely the house he built after making his fortune in the hospitality business, then retiring. Mr. Burnworth agrees but still treasures its history.
“It was probably only a tavern, if ever, for a very short period of time,” he said. “He died a few years after we believe it was built. Most likely, it was his home.”
