Category Archive: City Living
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Market Square Shines with Jos. A. Bank and Crazy Diamonds
Pop City
Wednesday, February 09, 2011
Market Square Shines with Jos. A. Bank and Crazy Diamonds
This spring, mens’ clothing store Jos. A. Bank will be moving from its current Downtown location at 527 Smithfield Street to Market Square. Another recent Market Square development includes the upcoming installation of a beautiful work of public art.
Jos. A. Bank signed a deal with developer Millcraft Industries at the beginning of February to lease space in the 40,000-square-foot Market Square Place development, located in the former G.C. Murphy building. Herky Pollock of CB Richard Ellis represented Millcraft Industries in the deal. Jos. A. Bank will share ground floor retail space in Market Square Place with the recent additions of Liberty Travel, DiBella’s Old Fashioned Submarines, Chipotle, and Vallozi’s.
“This relocation, which will feature the Jos. A. Bank’s new prototypical layout and design, further validates the success of our vibrant central district and all the new energy that has been harnessed with the new development project in the corridor,” says Pollock.
Keep your head up when entering Market Square from Fifth Avenue this spring as artist Carin Mincemoyer’s light sculpture “Diamond, Diamonds” will soon be hanging around. The piece entails the installation of 80 glass “diamonds” lit with LED lights and hung from two poles–a nod to the public space known as The Diamond, which was located at the Market Square site until it was demolished in 1961. Mincemoyer won a design competition to illuminate the connection between the square and the Cultural District after the City’s Office of Public Art put out a call for proposals.
Sources: Herky Pollock, executive vice president of CB Richard Ellis
Hollie Geitner, vice president of marketing and communications for the Pittsburgh Downtown Partnership -
The New Granada Theater is Granted National Historic Register Status!
February 5, 2011
New Granada Theater
Congratulations to the Hill Community Development Corporation, the steward of the New Granada Theater historic preservation project. With the assistance of the Pittsburgh History and Landmarks Foundation, the New Granada Theater was granted National Historic Register Status by the National Parks Service on January 7, 2011!
Having been stabilized with the assistance of the State of Pennsylvania and The Heinz Endowments, we look forward to the long, fundraising road ahead to renovate this historic institution as a multi-use, sustainable facility that pays tribute to its former uses, including that of a theater, office space, skating rink and even a car show room!
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Children’s Museum Has Bulk of Funds to Build Park
Friday, January 21, 2011By Diana Nelson Jones, Pittsburgh Post-GazetteThe Children’s Museum is $2.2 million away from raising the funds it needs to transform the sunken concrete square outside its doors into the Allegheny Public Square Park and make upgrades inside the museum.
Officials Thursday announced they had raised $6.3 million of the $8.5 million needed and that the remainder would be solicited as public donations.
The bulk of the money to date has come from foundations. A $250,000 challenge grant from the Buhl Foundation will match $1 for every $2 contributed by the public.
The existing square was created in the 1960s as part of the Allegheny Center Mall. A sunken area housed a fountain encircled by amphitheater-like seating. The area now is a walk-through zone, sometimes used by skateboarders but otherwise ghostly.
The museum chose San Francisco landscape architect Andrea Cochran in a design competition in 2007, when it embarked on its capital campaign. Ms. Cochran’s design for the new park calls for native plants, a meadow, 75 additional trees, solar lighting, a rain garden and a V-shaped walkway with benches and movable seats and tables.
The park’s art feature will be a stainless steel sculpture by Ned Kahn. Called “Cloud Arbor,” the piece will stand as rows of stainless steel tubes with nozzles to create “a sphere of mist,” said museum executive director Jane Werner. “It is a companion to our wind sculpture,” called “Articulated Cloud,” which Mr. Kahn also designed as 43 panels on the building that create the illusion that the building is moving with the wind.
A north-to-south row of cypress trees along Children’s Way will be kept while about 10 others will be replaced, said Ms. Cochran, adding that arborists had determined them to be unhealthy.
Plants have been chosen for their contributions to green design, she said. “We are teaching by example, with plants that don’t need pesticides or fertilizers.”
“Everything we all say we care about — the environment, green space and kids — all comes together here,” said state Sen. John Pippy, R-Moon, a museum board member.
The project’s budget will also cover alterations of the museum’s nursery, store and cafe.
“We are hoping to break ground sometime this year,” said Ms. Werner. The project may be completed next year.
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The Making of a Mural: Series of Coincidences Led to Collaboration Between Artist and North Side Homeowner
Saturday, January 15, 2011
By Kevin Kirkland, Pittsburgh Post-Gazette
Artist Ken Heusey in front of the mural he created for David McAnallen's renovated kitchen on the North Side. Pam Panchak / Post-Gazette
Life is sometimes like a movie script. Or maybe it just seems that way to Ken Heusey because he worked in Hollywood for 16 years.
Only in a movie would absentmindedly leaving your cell phone on a table in an airport restaurant lead to painting murals in a South Side restaurant and a restored North Side townhouse. The work has been a triumph and a treat for Mr. Heusey, an accomplished photographer and native of Fombell, Beaver County, who did fashion shoots and lighting on movie sets, including making Matt Damon look good in “Oceans 12.”
David McAnallen, who is finishing a nine-year renovation of an 1860s brick townhouse in the North Side’s Manchester neighborhood, is glad fate brought them together. No one else could have imagined and created the classical mural that draws your eyes up the moment you step into his kitchen.
“The collaboration with Ken was wonderful. As you walk around, you’re captivated. It sucks you in,” said Mr. McAnallen, a psychologist.
Detail from the back of a McAnallen family heirloom chair. Pam Panchak / Post-Gazette
Mr. Heusey, 46, was heading back to Los Angeles a year-and-a-half ago when he stopped to eat at the T.G.I. Friday’s at the Pittsburgh International Airport and left his cell phone. Upon his return, he stopped in and asked to see the manager who was holding it for him. The server he spoke with recognized him — She was his 10th-grade date for the homecoming dance at Riverside High School.
That connection led to an introduction to the owners of Hofbrauhaus Pittsburgh on the South Side. Last fall, Mr. Heusey painted a large two-section mural of 19th-century barmaids and beer drinkers on the terrace overlooking the beer garden. He was finishing that project when he met Mr. McAnallen while the two men were working out at the North Side YMCA. When Mr. McAnallen saw his photos of the Hofbrauhaus project, he decided he’d found the artist to decorate his newly renovated kitchen.
A detail from the mural Ken Heusey painted for David McAnallen's renovated kitchen. Pam Panchak / Post-Gazette
“I had thought about a mural before, but it never happened,” he recalled. “The space is so angular. I wanted to soften the angles.”
The space is an alcove around a new Velux skylight Mr. McAnallen added to the kitchen. Although Mr. Heusey had in mind a prominent spot visible from the doorway, it ended up closer to the ceiling, revealing itself gradually as a visitor enters the kitchen. The homeowner wanted something subtle.
“It was too big, too bold there,” Mr. Heusey agreed.
This in-progress photo shows Ken Heusey's mural below the skylight.
The artist suggested a trompe l’oeil painting in which old sandstone walls and a fragment of an old mural peek out from beneath layers of plaster. His inspiration for the classical scene came from a Gustave Dore engraving, “Isaiah’s Vision of the Destruction of Babylon.” He liked the mood of the drawing, especially the stormy sky. Mr. McAnallen liked it, too, but he asked the artist to take out the debris. He also added a pond similar to the one the homeowner had installed in his side yard. Isaiah was replaced with one horseman, then two.
“I like to create a story,” Mr. Heusey said, adding that he leaves the story’s details to the viewers’ imagination.
He copied the pattern of the faux stone corbeling beneath the scene from a nearby building and the carved lion’s face from an oak chair that is a McAnallen family heirloom.
Mr. Heusey spent about three weeks working on the painting, interrupted by the holidays. Before he started, he warned Mr. McAnallen that he would probably have concerns in the middle of the project, when he was still roughing in the design. He was right:
“I panicked only one time,” Mr. McAnallen admitted. “A lot of orange was coming through. I thought ‘Did I do the right thing?'”
David McAnallen at his home on Sheffield Street in Manchester on the North Side. Pam Panchak / Post-Gazette
The artist explained that the orange was underpainting and that it would not look that way in the final painting. And it doesn’t.
The two men declined to say what the project cost. Mr. Heusey, who spends about half of his time painting murals and the other half doing commercial photography, said his price depends upon the size, detail and complexity of the project. He says collaboration between artist and client yields a painting that pleases both.
“We let it evolve,” he said. “By going back and forth, we created something better.”
To contact Ken Heusey, call 310-963-6772 or go to www.khprod.com, which includes photos taken as he worked on the McAnallen project.
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Friendship May Get Aldi Grocery
Tuesday, January 11, 2011By Mark Belko, Pittsburgh Post-GazetteDiscount grocer Aldi appears to be headed to the East End as part of the redevelopment of a former car dealership.
Michigan-based Warner Pacific Properties is expected to brief the city planning commission today about its plans to convert the Day Automotive dealership into a grocery, offices and other retail uses.
The grocer in question is believed to be Aldi, although Leslie Peters, an attorney for Warner Pacific, said the developer did not yet have an agreement with any particular store.
Asked if Warner Pacific were talking to Aldi, Ms. Peters replied, “I think you can infer that.” City Councilman William Peduto, who represents the area, said Warner Pacific had stated that Aldi would be the grocer.
The developer is proposing an 18,000-square-foot grocery at the site at Baum Boulevard and Roup Street in Friendship. It is also planning 44,000 square feet of office space and 3,000 square feet of retail space.
Ms. Peters said Warner Pacific planned to keep the exterior intact.
The building, with a corner tower that once displayed pulsating light after dark, has some historic value. Built in the early 1930s as a Chrysler sales and service building, it remained as an auto dealership until it was closed in 2009 by the Day Automotive Group.
“We’ll be reusing the existing building,” Ms. Peters said. “We believe it’s a significant structure, at least for Pittsburghers. Everybody knows the building.”
She added that the developer did plan some interior renovations to upgrade the space. The total project cost is estimated at $4 million.
Because the property is a former auto dealership, Mr. Peduto said there are ramps within it that will allow for parking on the upper floors. The grocery will be on the first floor. He said an adjacent structure would be converted for office use.
Mr. Peduto said the project has the support of the Baum-Centre Initiative group. Through a community process, the developer is also addressing concerns about traffic patterns and other issues, he said.
After a planning commission briefing today, Warner Pacific is expected to appear before the city’s Zoning Board of Adjustment Thursday to request a special exception that would allow the property to be used for a grocery and office space.
Ms. Peters said the developer hoped to get all permits needed for the project by February or March and then start construction.
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Owner Wants to Raze Iron City Building
Commission worries demolition will hamper future development at the historic Lawrenceville landmarkMonday, January 10, 2011By Diana Nelson Jones, Pittsburgh Post-Gazette
The pipe shop portion of the closed Iron City Brewery is falling apart at the Lawrenceville landmark, on which the city has bestowed historic status. Bill Wade/Post-Gazette
Iron City Brewing Co. president Tim Hickman sounded urgent Dec. 1 when he asked the Historic Review Commission to let him tear down one of five buildings the city had granted historic status earlier in the year.
“The roof has collapsed,” he said, describing the original ice house in the former brewing complex in Lawrenceville. “The wooden I-beams have rotted and collapsed and the west wall is collapsing.”
Last week, the commission reconvened for a hearing, and Mr. Hickman was fighting to calm his agitation as the discussion drew out. A photo projected onto a screen showed twisted metal trusses hanging in a blue background — a rectangle of sky through the roof.
The brewing company had been cited by the Bureau of Building Inspection to abate the condition, which acting bureau chief John Jennings called “very dilapidated.” But the Historic Review Commission had a longer-term concern about the building, which dates to the 1890s.
And that concern is this: Would demolition of the old ice house prove to be a terrible mistake, jeopardizing a developer’s chances of getting a 20 percent tax break should this property become part of the National Register of Historic Places?
Although Mr. Hickman said a year ago that he embraced the historic status for the economic redevelopment possibilities, he told the commission last week he has not sought national status.
This raised some commissioners’ eyebrows.
Any future development project would almost assuredly depend on the tax credit, without which the company could be stuck with a white elephant.
“Is it your intention to seek tax credits to market this property?” acting chair Ernie Hogan asked him.
“We are still trying to determine that,” said Mr. Hickman, citing the company’s uncertainty over two other buildings that are unusable unless giant tanks can be removed from them. “If I can’t get them out,” he said, “who cares that it’s historic?”
The city approved historic designation for the complex of buildings in February, which automatically kept the company from dismantling any except for one that was exempted — a non-contributing 1970s rectangle. The company still has headquarters in the original building at 3340 Liberty Ave.
Mr. Hickman originally had wanted to demolish all but the headquarters, but preservation advocates seemed to have convinced him the complex was more valuable intact.
“We’re as concerned with the history as anybody in this town,” he said last week, “but if we lose a life, I don’t care about tax credits. I have security 24/7 running off copper thieves.”
As the owner, Mr. Hickman argued, shouldn’t it be up to him whether he wants tax credits?
Mr. Hogan said the commission is responsible for making sure historic buildings have available resources for preservation.
“If that demolition were to jeopardize the integrity of the assemblage, it could jeopardize any federal money to the site,” Mr. Hogan said. “[Mr. Hickman] would be turning his back on any public subsidies.
“I think this property is important. It could be eligible for federal transportation money [being on a bus route], sustainable communities grants, HUD money, all sorts of money.”
The Penn Brewery in Troy Hill was restored using federal tax credits, he said. Similar restoration “could be a huge economic driver” for the Lawrenceville portal.
Scott Doyle, grant manager for the Pennsylvania Historical & Museum Commission in Harrisburg, said the determination of a building’s importance to an overall site “comes down to hardship or a level of significance.”
One way a building in a historic cluster could get a pass is “if it’s outside the period of significance for the property.” Other provisions exempt properties that “lack significance and do not occupy a major portion of the site, and if evidence is presented to show that retention is not economically feasible.”
The hardship provision applies “if a property is so deteriorated or altered that its integrity has been irretrievably lost,” he said.
In order to review the case, the PHMC would need a structural engineering report, photographs, historic documentation and cost estimates for repair.
The brewing company was a regional economic powerhouse in the late 19th and 20th centuries. Founded in 1861 as Frauenheim, Miller & Company, it brewed one of the country’s first golden lagers. It became the Pittsburgh Brewing Co. in 1899 in a merger of 20 regional breweries.
Among the brewery’s firsts were the snap-top can, the twist-off resealable bottle top, draft beer in cans, aluminum beer bottles and the original light beer, Mark V.
Brewing operations moved to Latrobe in summer 2009.
Last week, Mr. Hickman said he is “trying to embrace this process, but what’s the time limit? I have the city [building inspection] telling me you must do something, so I come here to do something and I’m told ‘Let’s wait.’ ”
The commission is expected to consider demolition in February, when an answer is expected about the building’s importance.
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Historic Panel Gives a Reprieve to Igloo
Thursday, January 06, 2011By Mark Belko, Pittsburgh Post-GazetteThe Civic Arena has won a bit of a lifeline.
A bid to protect the 49-year-old landmark from demolition got a boost Wednesday when the city’s historic review commission gave preliminary approval to its nomination as a city historic structure.
The 5-1 vote clears the way for a formal hearing Feb. 2 on the proposed designation, one opposed by the Pittsburgh Penguins and the arena’s owner, the city-Allegheny County Sports & Exhibition Authority. John Jennings, acting chief of the city’s Bureau of Building Inspection, cast the no vote.
Even as it gave preliminary approval, the commission stated that the decision was not a determination on the merits of the application for historic status filed by Hill District resident Eloise McDonald.
In fact, nine years ago, the commission gave preliminary approval to the arena’s designation as a historic structure only to reject it in a final vote.
Nonetheless, Ms. McDonald said afterward that she was thinking “very positive” on the chances of getting a final vote in favor of the nomination. But she added it could be a tough sell since Mayor Luke Ravenstahl, who appoints historic review commission members, favors demolition.
“I’m going to stay optimistic to the final decision,” she said. “But like I said, I know the politics of the game.”
However, Ernie Hogan, the commission’s acting chair, said afterward that the mayor is “not telling us what decision to make” on the nomination.
“We have a charter to uphold regarding preservation standards. That’s all he’s saying, do your job,” Mr. Hogan said.
In arguing the case for the nomination, Ms. McDonald said the arena, with its retractable roof, is unique.
To tear it down would be “just awful,” she said. “There’s a lot of young kids, if they would ever see that dome open, there would be a whole lot more support for it. If you’ve never seen it open, you have no idea how extravagant and beautiful it is.”
The preliminary finding is a setback for the SEA and the Penguins, who have the development rights to the land that includes the arena. The team wants to demolish the structure to make way for a residential, office and commercial development.
Travis Williams, the Penguins’ senior vice president of business affairs and general counsel, declined comment on Wednesday’s decision.
But Shawn Gallagher, an attorney for the SEA, said the agency does not believe the Igloo meets the criteria for historic status. Describing Ms. McDonald’s nomination as “frivolous,” he said the same criteria used to nominate the arena eight years ago — and rejected — is being used this time.
And while Ms. McDonald spoke of the marvel of the retractable roof, Mr. Gallagher said it “never really worked” and doesn’t work anymore.
“It’s not worthy of preservation,” he said of the arena, adding it is costing the SEA and taxpayers about $65,000 a month to maintain it.
The Penguins moved from the arena to the Consol Energy Center across the street last summer.
Scott Leib, president of Preservation Pittsburgh, noted that state preservation officials have determined that the building is eligible for the National Register of Historic Places.
“We’re not trying to obstruct progress. We just have a totally different view of what progress is,” he said.
Wednesday’s vote prevents the SEA from demolishing the structure until a final determination is made on its status. However, the agency did not plan to start the razing until spring at the earliest.
Once the historic review commission has completed its work, the nomination must be considered by the city planning commission and city council before the arena’s final fate is known.
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Steelpan City
Pittsburgh City Paper
For the Week of 01.05.2011 / 01.12.2011
BY ANDREW MOORE
Jonnet Solomon-Nowlin - Steelpan Drum Instructor, owner of The National Opera House in Lincoln-Lemington - Brian Kaldorf
A local woman is hoping that the sounds of steelpan drums can revitalize one of the city’s most historic homes and the lives of young people.
The National Opera House, located on the border of Homewood and Lincoln-Lemington — and once the home of the National Negro Opera Company — has sat vacant for years. But now Jonnet Solomon-Nowlin, the building’s owner, believes her family’s U.S. Steelpan Academy can add value and structure to young lives, while bringing attention to the neighborhood’s often-overlooked past.
Steelpan drums were invented in the Caribbean — in countries like Guyana, and Trinidad and Tobago — during the 1930s. Steelpans were originally crafted from discarded 55-gallon oil drums. To achieve their signature pitched sound, two rubber-tipped mallets strike the surface of the pan, where notes have been marked onto the stretched steel surface.
Starting at the age of 14, Solomon-Nowlin’s father, Phil Solomon, founded several steelbands in Guyana; he was named Musician of the Year in 1971. After moving to Pittsburgh in 1984, he founded Solomon Steelpan Company and began manufacturing steel drums for organizations throughout the country. Solomon was the first manufacturer of steelpans in Pittsburgh.
After dedicating years to this instrument, Solomon wants the next generation to take over.
“The whole idea of the academy,” he says, “is to launch the steelpan into the 21st century, for me to pass this knowledge on to younger people.”
Solomon-Nowlin hopes not only to pass on that knowledge, but to teach young people a skill that can add value to their community.
“I would like to see steelpan and the arts and music help young people,” Solomon-Nowlin says, “by giving them an opportunity to express themselves through art.”
While she’s working to restore the Opera House, for the past several years Solomon-Nowlin has been able to teach lessons through community partnerships. And when she begins a new series of classes at the East End’s Union Project this month, it will be a step closer to running the academy within the National Opera House.
The Union Project lessons are important, she says, “and the first set of students will be a marketing piece for the house.”
Using the house as the home base for the Steelpan Academy makes sense. After all, the building has always had a role in the emerging African-American art scene, especially during the previous century.
The three-story Victorian home sits on a terrace overlooking Homewood. Built in the Queen Anne style in 1894, it was home to many prominent black Pittsburghers over the years, including Roberto Clemente, Lena Horne and Woogie Harris, brother of famed photographer Charles “Teenie” Harris.
But its most significant tenant was Mary Cardwell Dawson’s National Negro Opera Company. Launched in 1941, the NNOC was the first African-American opera company in the country. The NNOC held productions for 21 years and traveled to Washington, D.C., New York City and Chicago.
Solomon-Nowlin says she learned about this history through the advocacy efforts of the Young Preservationists Association of Pittsburgh (YPA) and the group’s executive director, Dan Holland.
The YPA is a preservation group that encourages young people to be involved in researching, documenting and eventually restoring historic places. Once a year, the organization releases a Top Ten list of the best opportunities for preservation in the region. In 2003, the Opera House was on that list.
“Their Top Ten list and the education around it, and why it’s important to preserve,” Solomon-Nowlin says, “is one of the key things that brought awareness to the project. They were able to reach a lot of people.”
And that’s what Solomon-Nowlin is hoping to do with Steelpan.
The Young Men and Women’s African Heritage Association, headquartered on Pittsburgh’s North Side, has been teaching steelpan for 15 years, and the Solomon family has been involved since the beginning. Lessons were first taught by Phil Solomon and later his daughters, Janera and then Jonnet. Jonnet gives lessons on Saturdays at the New Hazlett Theatre.
Janice Parks, executive director of the heritage association, says the steelpan is a good fit for her students.
“It’s an easily accessible instrument,” Parks says. “You don’t have to have years and years of experience to be great. [Students] can pick up two mallets and an hour later they can play the melody line of a tune that’s familiar to them.”
Adam Warble, an instructor at the academy, agrees, and says “it’s definitely a popular instrument — it’s fun.” Warble says that his young students get particularly excited when he mentions current hip-hop songs that feature steelpan. But Phil Solomon stresses the versatility of the instrument. “Steelpan was actually created to play classical music,” he says.
Parks says her students learn to play everything from “Bach and Beethoven to Stevie Wonder.”
When the academy begins teaching at the Opera House, Warble thinks it will be “absolutely wonderful. Especially since the steelpan was invented in the Caribbean” — where the culture is heavily influenced by the African diaspora. “[And] since [the home] was a hub of African-American cultures, I think it’s wonderful to bring that back to the Opera House.”
The next step is bringing back the house itself. Solomon-Nowlin has recently hired grant-writers to find funding for the home’s restoration. Architects, electricians and carpenters have all agreed to work with her, and some have already donated time to the project.
Now, she just needs to raise enough money to begin the restoration, and to begin turning the Opera House back into a home for music. But she’s quick to point out that because her forte is music, she can use all the help she can get on the restoration side of this dream.
“I’m not in the preservation business,” she says with a laugh, “I’m just in it by default. My key thing is to just make sure it’s preserved. We really have to push forward.”