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Category Archive: Preservation News

  1. $16M Separates Options for City’s Public Schools

    By Jodi Weigand

    Pittsburgh Tribune-Review

    The city school district’s proposed 2011 capital budget includes projects at eight schools.

    Pittsburgh Public Schools board members were presented two options Tuesday: the full capital program totaling $64 million and a $48.4 million downscaled version that includes only vital improvements at Arlington, Brashear, King, Knoxville, Northview, Oliver, Perry and Westinghouse.

    The full-scale option includes consolidating Arlington PreK-2 and Arlington 3-8 at a cost of $29.5 million.   It calls for the demolition of the 3-8 building and constructing a building on the site to house K-8 students.

    A scaled-down $14.2 million version would cover maintenance at the 3-8 building and incorporating a PreK program there.

    The board was offered a less-costly version of its proposed career and technical education program at Oliver High School at a reduced cost of $13.4 million.  A version nearly double the cost would renovate existing labs into state-of-the-art facilities.

    To fund the projects, the district will seek debt service through two federal programs that would allow it to borrow at a 20 percent cheaper rate per year than it has now.

  2. Historic Downtown Site Sold

    By Thomas Olson, PITTSBURGH TRIBUNE-REVIEW
    Thursday, September 30, 2010

    The Pittsburgh History & Landmarks Foundation was given the easement to the historic Burke Building, Downtown, by the Western Pennsylvania Conservancy so the foundation can assure no future owners tear it down or alter its exterior. Jasmine Goldband | Tribune-Review

    The Western Pennsylvania Conservancy has sold the oldest architect-designed building in Pittsburgh — and granted an easement to the Pittsburgh History & Landmarks Foundation to make sure it’s never torn down.

    Built in 1836, the Burke Building at 209 Fourth Avenue, Downtown, was sold Monday to Burke Building Enterprises L.P., said conservancy spokeswoman Stephanie Kraynick.

    She declined to provide further information about the purchaser but described the partnership as people “who appreciate the historical quality of the building and plan to preserve” it.

    The three-story, stone structure — a striking contrast to the modern PPG Place that sits next to it — is one of the few remaining structures to survive the city’s great fire of 1845. The building is unoccupied.

    “It is a really important building,” said Arthur Ziegler, president of History & Landmarks. “Anyone who owns the building now and forevermore is subject to the condition that they can’t demolish it or change the exterior without our consent.”

    “The conservancy has easements on lots and lots of land. They gave us this (easement) because we protect buildings,” he said.

    The conservancy’s headquarters was located in the Burke Building until September 2007, when the organization relocated to Washington’s Landing.

    The architect was John Chislett, an British native who relocated to New York in 1832. He moved to Pittsburgh a year later and remained here.

    “The Burke Building is extremely handsome and the oldest building we’ve got,” said Al Tanner, the foundation’s historical collections director. “Over the years, it housed a bank, a restaurant, and a variety of other (tenants).”

    Three other buildings in Pittsburgh that Chislett designed are still standing. The Gateway and Lodge of Allegheny Cemetery, which are two adjoining structures in Lawrenceville; and the Widows and Orphans Society of Allegheny City building on the North Side.

    Tanner said that in Chislett’s day, he was probably best known in Pittsburgh for designing the original Allegheny County Court House in 1841. It burned down in 1882 and was replaced two years later with a design by the world-famous H.H. Richardson, who designed other buildings in this region.

  3. Uses for South Park Fairgrounds Offered

    By Matthew Santoni
    PITTSBURGH TRIBUNE-REVIEW
    Thursday, September 30, 2010

    Allegheny County residents Wednesday night offered their ideas for revitalizing the rundown fairgrounds in South Park as part of the county’s push to reuse or redevelop it.

    More than 100 people attended the meeting in the Museum Building to discuss how they’d like to see the 80-acre site made more attractive and useful, with ideas ranging from converting buildings into indoor sports arenas to tunneling under a hill so pedestrians can reach Port Authority’s nearby light-rail line.

    The county has retained Homestead-based GAI Consultants Inc. to hold public hearings, focus groups and online surveys to gather ideas with the hope that the county can do more with its limited money and manpower, said sustainability manager Jeaneen Zappa.

    The fairgrounds still hosts community days and other events but hasn’t been the site of a county fair since the late 1970s.

    During World War II, German and Italian prisoners of war were temporarily housed in some of the buildings, said Robert Bastianini, a member of the South Park Township Historical Society.

    “I would like to see some kind of fair come back,” he said. “These buildings have stood empty almost all year round.”

    Bastianini also asked that one of the buildings be donated to the historical society for use as an office and museum.

    Representatives of the Allegheny County Martial Arts Center, a nonprofit which has rented, renovated and maintained one of the former exhibit buildings since 1986, would like to see other organizations given a chance to lease sections of the buildings as studios, practice spaces or storefronts, said senior martial arts instructor Rick Sbuscio.

    “These clubs are resources,” said Jeff Danchik, director of the Mon Valley Express Drum and Bugle Corps, another long-term tenant of one of the buildings. “We fix up the building, and that’s our rent … but there isn’t any mechanism in place for these groups to go from an idea to getting money and building something.”

    Another public hearing will be held in November, and a final report is expected by mid-December. County residents can fill out an online survey at alleghenycounty.us/parks/SPFairgrounds.

  4. Total Transformation of Allegheny Public Square

    Total transformation of Allegheny Public Square moves forward with completion of final design phase

    Wednesday, September 29, 2010

    The City of Pittsburgh, in partnership with The Children’s Museum of Pittsburgh, community members, and Andrea Cochran Landscape Architecture, have completed the second major phase of design for the revitalization of the Northside’s Allegheny Public Square Park.

    Since San Francisco based Cochran won the competition in 2007 to produce the final design for the park, a large amount of redesign has been done to the original plans, based on the concerns and wishes of the community and various stakeholders.

    “To her credit, after three or four community meetings, Andrea went back to the drawing board and came back with a refined design that has been lauded, and I think reflects the community input extensively,” says Chris Seifert, deputy director of The Children’s Museum of Pittsburgh.

    Allegheny Public Square

    With the final designs completed, the project will go to bid for construction next March, with an estimated construction budget of $3 million. Over $4 million of the estimated $6 million overall budget has been raised. Due to the economy, the capital campaign was delayed for a brief time, but was able to get back on course last Spring.

    By 2012, what is now merely a sunken concrete area in very poor condition will be transformed into huge public green space with sophisticated sustainable systems in place. In addition to a large meadow area, six dozen trees will be introduced to the park, along with a variety of low-maintenance native species. A large piece of public art will be installed in the center of the park, which will feature fog spraying devices to reflect light and allow visitors to cool off in the hot summer months.

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    Source: Chris Seifert, The Children’s Museum of Pittsburgh
    Writer: John Farley

    Image courtesy of The Children’s Museum

  5. Urban Ministry Rescuing Decayed Friendship Church

    Monday, September 27, 2010
    By Jon Schmitz, Pittsburgh Post-Gazette

    Three years ago, the stately 19th-century sandstone church at Friendship and South Pacific avenues in Bloomfield lay in ruins and was targeted for demolition.

    “Can this church be saved?” a newspaper article asked at the time. The answer, borne out by a leaking roof, missing windows, falling plaster, buckled flooring, peeling paint and pervasive mold and mildew, seemed to be “no.”

    Since then, all manner of angels have descended on the former Fourth United Presbyterian Church.

    More than 1,000 volunteers have helped to replace the roof, tuck-point the sandstone walls and gut the interior, upgrading its plumbing, electrical and heating systems, replacing windows and framing out space for classrooms and a kitchen.

    Before the building celebrates its rebirth as Pacific Sanctuary, it will need a few more angels.

    Earthen Vessels Outreach, which bought and rescued the building after it was slated for demolition three separate times, is trying to raise an additional $100,000 to finish a community center on the ground floor for the hundreds of at-risk children it serves from five Pittsburgh neighborhoods.

    Thanks to volunteers and donated materials, the organization has spent only $450,000 while accomplishing an estimated $1.2 million to $1.5 million in improvements, project manager Ryan England said.

    “It was said in the beginning that we could never do this,” said Marilyn Chaney, director of Earthen Vessels Outreach. “But we’re doing it and we’re going to keep doing it.”

    “The question was asked ‘Can this building be saved?’ ” said her husband, the Rev. John Paul Chaney. “It’s been saved. The question now is if we can restore it.”

    Most of the remaining work is finishes — flooring, ceiling tiles, lighting and bathroom fixtures. Volunteers will continue to buzz about, but some of the work requires the hiring of skilled professionals, Ms. Chaney said.

    Mr. England, a California native who earned his master’s in civil engineering at Carnegie Mellon University and decided to make Pittsburgh his home and community service his vocation, said he can finish the ground floor in four to six weeks if funding is secured.

    “Our youth programs have wait lists or are full or really crowded” in the ministry’s current space down the street, he said. “We have a hard time turning people away.”

    The group serves about 200 children from Bloomfield, Garfield, East Liberty, Lawrenceville and Friendship on a regular basis and about 200 more sporadically with its after-school, day camp, performing arts, recreation and other programs.

    “We feed every child who comes through our doors,” Mr. England said. The group serves 12,000 meals a year from its tiny kitchen.

    “It’s a real struggle,” he said.

    The ground floor of the church is being renovated to provide four classrooms — the current headquarters has none — plus a bigger kitchen and large gathering area.

    Longer-range plans are to convert the main level upstairs into a recreation center and worship space for Seeds of Hope Church, also founded by the Chaneys, who moved to Pittsburgh from Chicago to launch their urban ministry about 10 years ago.

    The church was built in the 1890s. Fourth United Presbyterian Church closed in the 1960s and was rented as a school building for about 10 years before being sold to a pair of ministers in 1976. Their congregation eventually abandoned the building and decay set in.

    “When Ryan and I walked in, there was six inches of water on the floor,” Ms. Chaney said.

    “And mold everywhere,” Mr. England added.

    Mr. Chaney had tried to buy the church for years, once offering $250,000. When Earthen Vessels Outreach finally purchased it, in shambles, it fetched just $65,000.

    A new red roof of aluminum and asphalt shingles, repointed masonry, new windows and French drains are protecting the volunteers’ investments inside, he said. “It’s structurally secured.”

    Finishing the community center will enable the organization to gain the certification it needs to qualify for federal and state funding and expand its mission, the Chaneys said.

    “We want it to be a peaceful place for young people to come and grow as human beings,” Mr. Chaney said.

    To learn more about Earthen Vessels Outreach or to donate, visit www.evo-pgh.org or call 412-681-7272.


  6. Old Film Site Breathes New Life

    Paramount building was empty for years
    Thursday, September 23, 2010
    By Diana Nelson Jones, Pittsburgh Post-Gazette

    Greg Pierce, assistant film curator at The Warhol, left, talks with Rick Schweikert in front of the film vaults at Paramount's film exchange, 1727 Blvd. of the Allies, Uptown. Darrell Sapp/Post-Gazette

    The Paramount Pictures Film Exchange, described by a nearby businessman last year as “a disaster,” now has a new roof, flushing toilets and a clutch of stockholders.

    At an open house Wednesday, exclamations from old films burst from the screening room, the public took tours and live bands played at night in a celebration of the building’s new life.

    “After all these months of labor, to see it lit up …” said Rick Schweikert, letting a smile finish the sentence. He is the primary owner, having given UPMC $50,000 for it last winter, just ahead of what many believed was a pending demolition.

    “It was empty for 20 years, and water poured through a hole in the roof,” he said, stroking the tile in a bathroom illuminated by a skylight. “But it’s in great shape. People knew what they were doing when they built this thing.”

    It was built in 1926 at what is now 1727 Boulevard of the Allies, Uptown. It was one of six or seven along that stretch that accommodated the film industry, local theater owners and the local and national press who interviewed stars when they traveled to publicize their films.

    The old Paramount Pictures emblem still stands above the door to the entrance of Paramount's film exchange. Darrell Sapp/Post-Gazette

    Each studio stored movies at their exchanges, which were built like fortresses because film was so flammable.

    The local exchanges included those of Warner Brothers — now home of the Duquesne University Tamburitzans — MGM, RKO and 20th Century Fox. The Paramount is brick and framed in terra cotta, with decorative scrollwork and egg-and-dart molding. The studio’s logo is still in place over the main door, which is now closed off; a door opening onto Miltenberger Street welcomed yesterday’s curious, among them a few film buffs.

    Greg Pierce, assistant curator of film and video at the Warhol Museum, stopped by to see if his giant personal collection of industrial and locally made films might find a home at the exchange.

    It was a film buff who brought the building into the public eye last summer.

    Drew Levinson had entered a video contest sponsored by the Young Preservationists Association of Pittsburgh for students 25 and younger. His video about the Paramount exchange won the contest. He and the YPA nominated the building for historic status.

    Mr. Schweikert said he will rent studios to artists, install a cafe in the film vault room, screen films and hold entertainment events. The upstairs will likely attract a firm taking advantage of tax credits, since the building is in a Keystone Innovation Zone — an area targeted for investment.

    In the screening room Wednesday, a run of black-and-white shorts were projected inside the original ornate frame on the wall, the first movies to show in that room since the early 1970s.

    The building is 8,500 square feet of mostly open space surrounded with windows. In its previous incarnation, clients entered a wainscotted vestibule through the main entrance and rented movies, returned movies and paid bills at a service window.

    At full capacity, the exchange hired 50 people, including managers, secretaries, projectionists and people who repaired and cleaned film, said Mr. Schweikert.

    City council approved historic status in January, when Mr. Schweikert closed on the property. He contracted with roofers and he and his Uptown neighbor, Bob Marion, began cleaning out debris, removing old pipes “and an HVAC unit the size of a minivan,” said Mr. Marion.

    Mr. Schweikert, who owns other buildings Uptown, said his budget of $300,000 “is all we need.” His investment group, PFEX Inc., issued 100 shares of common stock and has sold 54 so far at $3,000 each.

    Jason Roth, the building’s architect, said he was “ecstatic when I got a call from Rick last winter saying he was going to try to save it. He got to it just in time.

    “There’s a lot of energy in Uptown now. I certainly hope this will feed off of, and feed into, that energy.”

  7. Carnegie’s Library Legacy

    The Carnegie struggles with honoring the past while serving the present and future

    Sunday, March 02, 2003

    By Patricia Lowry, Post-Gazette Architecture Critic

    From Fiji to Florida to Fresno, Calif., Andrew Carnegie built 2,509 libraries between 1881 and 1917, mostly in America, the British Isles and Canada. To this day, Carnegie’s free-to-the-people libraries remain Pittsburgh’s most significant cultural export, a gift that has shaped the minds and lives of millions.

    The Homewood library opened at the corner of Hamilton Avenue and Lang Street in 1910. Today the branch becomes the first to be rehabilitated in Carnegie Library of Pittsburgh's $40 million systemwide renovation, libraries also must accommodate information available through electronic media. New computer stations are among the updates in the Homewood makeover, which restores major architectural elements while sacrificing others considered less significant. (Joyce Mendelsohn, Post-Gazette)

    From the monumental libraries of the Monongahela Valley steel towns to the smaller branch libraries in Pittsburgh neighborhoods, the Carnegie library buildings of Western Pennsylvania also have a national significance — and for some, an uncertain future.

    In Pittsburgh, whether to bring these beloved, iconic but aging buildings into the 21st century or leave them behind is a question the city soon will face, as Carnegie Library of Pittsburgh reinvents itself with an emphasis on customer service and satisfaction.

    Last fall, when library director Herb Elish asked City Council to give the library the option to buy the city-owned buildings it occupies, it wasn’t because he has a real estate fetish. While Elish doesn’t want to talk publicly about which libraries eventually may have new uses, he acknowledges that three of the older buildings could be sold, although not without community input.

    The man who seems destined to have the biggest impact on Carnegie’s Pittsburgh libraries since the steelmaker himself is also a former steel executive, CEO at Weirton Steel Corp. from 1987 to his retirement in 1995.

    Elish said he took the library job because he thinks libraries can “raise up people’s consciousness,” leading to “greater literacy, better jobs and rich, useful lives.” He wants each library, old or new, to be a place “people want to come to, think is enjoyable, get a lot out of and have fun at, because at the end of the day, it’ll just make their lives better.”

    Elish’s $40 million systemwide makeover got under way last month when work began on the historic Homewood library. Renovations to the Brookline, Squirrel Hill and Woods Run branches and the central library in Oakland also will happen over the coming year. To design the plans, Elish hired five small Pittsburgh architecture firms known for imaginative, even provocative work, then matched them with the projects for which they seemed most suited. The idea, Elish said, was “to get a lot of ferment of ideas, with architects talking to each other about how things should be designed.”

    For the 19 city libraries expected to be renovated over the next five to seven years, the goals are the same: to create “fully modern buildings” that are air-conditioned and accessible for wheelchairs and baby strollers, have community meeting rooms and spaces for teens, and give “each neighborhood a space and an image that is new and that the community can be proud of,” Elish said.

    “Economic development can happen around a library because libraries attract a lot of people,” he added. “We think that libraries can be symbolic of belief in and support of the neighborhoods. It’s one of the reasons that we, as a policy matter, said we weren’t going to end library service in any neighborhood where it currently exists. We can be a force to help bring that neighborhood back.”

    The Woods Run branch library, shown on opening day, July 8, 1964, is scheduled for interior renovation this year as well as for construction of a drive-through drop-off for books.

    Let there be libraries

    Carnegie opened his first public library in his hometown, Dunfermline, Scotland, in 1883. Rather than his name, he had a motto — “Let there be light” — carved within the Gothic-arched entrance; nevertheless, the three-story, turreted stone castle of a building announced that the weaver’s son had done rather well in America.

    As many full-blooded Pittsburghers know, Carnegie erected his first public library in this country in his adopted hometown, Allegheny City, where as a youth he drank from the sweet chalice of knowledge in the home of Col. James Anderson, who opened his personal library on Saturday afternoons to the neighborhood’s working boys.

    Braddock’s library had opened a year earlier, in 1889, but not as a publicly supported library. Braddock’s was fully funded by the Carnegie Steel Co. and governed by its officials — giving both the Braddock and Allegheny libraries bragging rights to firsts. Homestead’s library followed in 1898, Carnegie’s in 1901 and Duquesne’s in 1904.

    While some of Carnegie’s steelworkers literally and figuratively had no time for his libraries, preferring the saloon and the lodge, other men and their wives learned English there at night and made good use of the libraries’ music halls, gyms, bowling allies, swimming pools and baths.

    And their children and their children’s children embraced them. Monumental entrance arches, grand staircases, marble floors and hooded fireplaces transported girls and boys to another world. The medieval French chateau and the Renaissance palazzo, set down amid fire-breathing furnaces, clapboard houses and courtyards strung with laundry, gave hope to children in the first half of the 20th century that life wasn’t all blood, sweat and soot. Best of all, the shelves were lined with books, and you could carry your dreams right out the front door.

    For the Allegheny library, Washington, D.C., architects Smithmeyer & Pelz drew not from the lavish, ornate classicism of their 1873, Renaissance-style design for the Library of Congress but from Boston architect Henry Hobson Richardson’s smaller, asymmetrical, towered New England libraries in rusticated stone.

    Smithmeyer & Pelz gave the Allegheny City library foyer a wide, white marble staircase leading to the second floor, much as patrons would have found in one of the homes on nearby Ridge Avenue. Beyond the entrance hall was the “delivery room,” where books fetched by librarians from closed stacks were dispensed to readers. At one end of the room, an early photograph shows, Andrew Carnegie’s benevolent gaze greeted them from above a roaring fireplace. To the right of the delivery room was the men’s reading room and, in a small alcove, the women’s reading room.

    There was no children’s room in the Allegheny City library — that innovation belongs to the Lawrenceville library of 1898 — but for adults and children alike, the Allegheny library’s “homey touches encouraged readers to think that the hierarchy was sustained not just by economic power but by mutual love and respect, as in an extended family,” writes architectural historian Abigail Van Slyck in “Free to All,” her 1995 book on Carnegie libraries. “Library users might then look upon Carnegie as a rich uncle, who deserved respect, obedience and affection, and whose affection in return precluded any class resentment.”

    Carnegie still presides over the library’s former delivery room, but not from over the fireplace mantel. A 1970s renovation gutted most of the original interior. Today, as Pittsburgh’s Allegheny branch, the library is bright, white, modern and actively used. But it has lost its grand staircase, fireplace and all of its domestic and hierarchical connotations. Uncle Andy’s portrait hangs unceremoniously above a periodicals rack, flanked by the men’s and women’s bathrooms.

    Visitors will have little trouble stepping back a century in the Braddock and Carnegielibraries, which have accommodated new technology without sacrificing the cozy comfort of their historic interiors. In both locations, Carnegie’s portrait still hangs over the fireplace.

    Like the Andrew Carnegie Free Library of Carnegie, the Carnegie Library of Homestead is majestically sited near a hilltop, overlooking the town and the river valley. Opened in 1898, it has seen some interior alterations over the years — for one thing, the fireplace gave way to bookshelves — but it’s still standing and serving its community — more than can be said for the 1904 library in nearby Duquesne. Rivaling the Homestead and Carnegie libraries in size and setting, the Duquesne building was demolished in 1968 to make way for a school district building that was never built. The library site is now Library Court, a cul-de-sac of ranch houses.

    A distinguishing feature of Pittsburgh's Carnegie library branches is the wood and glass partitions between rooms, which allowed a single librarian to watch over the entire facility. At the Homewood library, shown here with a view from the lobby into the children's reading room, sections of the partitions will be removed to create better flow between the lobby and the adult and children's reading rooms. (Joyce Mendelsohn, Post-Gazette)

    A late bloomer

    Pittsburgh also was getting in on the library boom, even if it was a little late to the party. In 1881, the same year Carnegie began his first library in Dunfermline, he offered Pittsburgh $250,000 for a library if the city would provide the land and $15,000 annually for its maintenance. It was an offer the city could and did refuse, believing it was not a state-sanctioned use of public money.

    By 1887, with the city assured by the state legislature that a public library was an appropriate use of tax funds, Pittsburgh officials told Carnegie they were ready to accept his gift. In 1890, the philanthropist expanded his original offer to $1 million for a conjoined central library and art museum, as well as branch libraries in the neighborhoods, which Carnegie came to view as more important in elevating the working class. Eventually, his gift to Pittsburgh would total $1,160,614.

    Twelve years after the initial offer, construction began on the central library and museum in Oakland, following a design competition won by Longfellow, Alden & Harlow of Pittsburgh and Boston. But not long after it opened, the library was found to be woefully inadequate. For one thing, everybody forgot about the kids.

    “So little thought was given to children as library users before 1895 that no provision was made for them,” library director Ralph Munn wrote in 1969. The library also had no room for scientific and technical books. An addition, opened in 1907, solved both problems, as well as one that had vexed Carnegie for more than a decade. The twin towers that flanked the music hall — “donkey ears,” he called them — were demolished in the expansion.

    Today, Elish said, the problem with the main library is its organization: “You sort of need a secret handshake to find your way around.”

    Books are shelved in unpredictable locations and departments, and even once visitors identify where a book is, they can have a hard time finding it.

    To remedy that, Friendship-based EDGE architecture is working with librarians and South Side’s MAYA Design to reorganize and, as MAYA likes to put it, “tame the complexity.” MAYA analyzed why people couldn’t find what they were looking for and discovered that, in a library with millions of items spread over a labyrinth of rooms, “wayfinding” is an issue right up there with book-finding.

    EDGE’s $3.1 million design is still being refined and won’t be ready for public review for a couple of months.

    “We’re looking to make an environment that’s a destination because it’s entertaining, it’s informative and it’s an exciting place to be — and not do anything that violates the existing architecture and character,” said EDGE architect Gary Carlough.

    Work could begin as early as mid-summer, but Dunham said it’s too soon to say how long the renovation might take.

    While the branch libraries have gone or will go through a neighborhood input process in their renovation planning stages, for the main library, that process will happen in public hearings before City Council, a requirement for any project in the main library with more than a $1 million budget.

    A first for Lawrenceville

    After impressing Carnegie with the quality of their work — and their ability to stay on budget — Longfellow, Alden & Harlow, who also completed an 1893 addition to the Braddock library, would go on to design the Homestead and Duquesne libraries and, as Alden & Harlow, eight Pittsburgh branches, as well as libraries in Oakmont, Erie and, in Ohio, at Salem and Steubenville.

    The first of the Pittsburgh branches, completed in 1898, was in Lawrenceville, the densely built neighborhood of factories and brick rowhouses. The library was built on residential Fisk Street, in the heart of the neighborhood but not on the main drag.

    No more would Carnegie build big, homey castles, as he had done in the towns with which he had personal associations. Correspondingly, Alden & Harlow “divested their libraries of the domestic connotations that had appealed to the paternalistic philanthropist of 1880, and allowed the buildings to convey their public nature to prospective readers,” Van Slyck writes. The branch libraries would be classical and symmetrical, and done in brick to better fit their surroundings.

    With a then-revolutionary open-shelf policy in all branches, the small libraries were planned so one librarian could oversee the entire operation. That dictated the interior plans of all the Pittsburgh branches, beginning at Lawrenceville and continuing through West End and Wylie Avenue (1899), Mount Washington and Hazelwood (1900), East Liberty (1905), South Side (1908) and Homewood (1910).

    Lawrenceville was “the most innovative and important of these Pittsburgh branch libraries,” a design that “broke with Richardsonian precedent in both style and plan,” writes Margaret Henderson Floyd in “Architecture After Richardson,” her 1994 book on Longfellow, Alden and Harlow.

    Located just beyond the lobby, the circulation desk — no longer a delivery desk — took center stage in Lawrenceville, flanked by turnstiles that admitted readers to the open stacks one at a time, under the librarian’s watchful eye. To thwart thievery, the stacks were arranged in a radial pattern. On each side of the lobby were a general reading room and, for the first time in a library anywhere, a room for children, many of whom were learning English as a second language or had immigrant parents. The reading rooms were separated by walls that became glass partitions above waist level — the better to see you with, my dear.

    Despite such controlling devices, the library was well used. Over a six-week period in 1925, for example, a YWCA study of the Lawrenceville library found that 190 young women between 18 and 25 requested 736 books, 590 of which were fiction; the most popular writer was Pittsburgh’s own Mary Roberts Rinehart.

    The Lawrenceville design — a rectangle with a semicircular rear projection to accommodate the radial stacks — was repeated at East Liberty, but economy forced other branches into a mostly rectangular plan, with shelves lining the perimeter walls.

    The plan developed here became a model for Carnegie libraries around the world, and, in 1911, was included in a design advisory pamphlet issued by Carnegie’s secretary, James Bertram, who reviewed the plans of all Carnegie libraries after 1908.

    The East Liberty library, serving the wealthy East End community, was the largest of the branches when it opened, but it was demolished in the late 1960s to accommodate the city’s ill-fated urban renewal plan for the commercial district.

    The Wylie Avenue branch moved from its historic building to a new location in 1982, because demolition of the Lower Hill neighborhood in the 1960s had left it at one end of its former service area. The building now houses a mosque.

    But the six branches that survive as libraries — Lawrenceville, West End, Mount Washington, Hazelwood, South Side and Homewood — have a remarkably high degree of integrity, inside and out.

    A dwindling legacy

    By 1917, Carnegie had invested $68,333,973 in libraries here and abroad, equivalent to about $966 million today. Of the 1,689 Carnegie libraries built in America, at least 350 have gone on to other uses, writes Theodore Jones in his 1997 book, “Carnegie Libraries Across America: A Public Legacy.” Another 259 have been razed or destroyed by fire or other natural disasters — 100 in the 1960s, 47 in the 1970s, 12 in the 1980s, a downward trend fueled by the historic preservation movement.

    But that trend, Jones writes, has been reversing since the 1990 passage of the Americans with Disabilities Act.

    “Public libraries are moving out of their original Carnegie buildings more frequently than ever,” he writes. According to 1991 and 1996 surveys, of the 350 or so libraries that have been reused, 60 were still libraries in 1991.

    Elish has said he would consider selling a branch building if it proves too expensive to upgrade or is in a difficult location that lacks parking, but he is keeping an open mind and hopes Pittsburghers will do the same. He also wants to hear from the community.

    “We don’t want to get in a position of saying, ‘We don’t want to be in [the old] building’ and have the community rise up in arms” and not use the new building, Elish said. But, he adds, “Part of this is a cost problem. If you find that the renovation of a building is prohibitive compared to what you’re going to get in a new building, you need to lay out the costs and talk about them. You can’t make irresponsible decisions.

    “I just think by the end of all of the conversations about this, that good sense will prevail on both sides. We will learn from each other and reach a conclusion together.”

    It’s a dialogue that should engage everyone who has a stake in the future of Pittsburgh’s archetypal neighborhood libraries.

  8. Cabinets’ Display of Pittsburgh Artifacts Debut

    By Pittsburgh Tribune-Review
    Wednesday, September 8, 2010

    City Council President Darlene Harris unveiled two display cases Tuesday morning outside council chambers in City Hall featuring historical documents and memorabilia.

    Included are the official charters of the City of Pittsburgh and what was then the Borough of Pittsburgh; flags of Pittsburgh’s 16 sister cities; and gifts presented to the city from visiting dignitaries.

    The cabinets were paid for with money allocated for the Sister City program. Pittsburgh’s sister cities include Sheffield, England; DaNang, Vietnam; and Karmiel and Misgav, Israel.

    The Sister City program began in 1956 to further exchanges between the United States and other countries.

Pittsburgh History & Landmarks Foundation

100 West Station Square Drive, Suite 450

Pittsburgh, PA 15219

Phone: 412-471-5808  |  Fax: 412-471-1633