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  1. “The Pittsburgh That Stays Within You” Is Available from PHLF

    Our library prides itself on having a strong collection containing Pittsburgh history and Pittsburgh authors. This is an excellent addition to our collection. Thank you! ––South Park Township Library

    I am going to use this book as a reflective tool in order to engage my 12th-grade students in conversation on the history and changes in Pittsburgh. ––The Neighborhood Academy


    Thanks to a generous grant from The H. Glenn Sample Jr. MD Memorial Foundation, PHLF has a quantity of The Pittsburgh That Stays Within You, by Samuel Hazo, to distribute to schools, libraries, and nonprofit organizations. A distinguished poet, author, and professor, Mr. Hazo was the founder and director of the International Poetry Forum in Pittsburgh from 1966 to 2009. This collector’s edition includes five essays by Samuel Hazo, written in 1986, 1992, 1998, 2003, and 2017, and photographs by 16-year-old Paige Crawley.

    Following the book’s release this fall, PHLF has distributed more than 450 books to more than 25 organizations, including the Carnegie Libraries of Pittsburgh, Allegheny County libraries, regional university libraries, public and parochial schools, community development professionals, the City of Pittsburgh, and City of Asylum.

    Please contact Louise Sturgess, PHLF’s Executive Director, with your request if you are interested in receiving books to use for educational purposes:; 412-471-5808, ext. 536. We are happy to honor requests while supplies last.

    PHLF has received many notes of thanks from the various organizations that have received The Pittsburgh That Stays Within You, by Samuel Hazo, including the following: 

    Thank you for the generous gift. People are interested in learning about their community. Everyone will learn something new from reading The Pittsburgh That Stays Within You. ––Green Tree Public Library

    I will offer this book to our students to read, especially when they are studying the history of Pittsburgh. ––Urban Pathways Charter School

    Great author! Has a relationship with our school. Thank you! ––Chatham University

    Sam has visited our campus many times and we are always interested in his work. We also have a local history collection and a Public History class taught on campus. Thank you very much. ––Waynesburg University Library

    With the college being so close to Pittsburgh, it’s nice to have books like this for our students to read. Sometimes students conducting undergraduate research like to have local history source material for their projects. The photographs are a special touch, reminding our students that creativity at any age should be encouraged and lauded. ––Westmoreland County Community College

    This gift will be added to our book collection within our library to be enjoyed by our nearly 500 residents who call Asbury Heights home. ––Asbury Heights

  2. Greene County Heritage Workshop

    More than 40 owners and caretakers of historic buildings in Greene, Washington, and Fayette counties gathered in Waynesburg on November 4 for the first “Greene County Heritage Workshop: How to Care for Your Historic Building(s),” sponsored by PHLF and 16 local co-sponsors. A full-day’s program of preservation topics, resources, and inspiration was presented by state, regional, and local officials, along with PHLF staff and local experts.

    At the end of the day, one participant wrote: “Names of sources, details and examples were excellent. I feel overwhelmed but I now have a road to follow.” Another wrote: “It was a very enlightening day.”

    The program began with Bill Callahan, Western PA Community Preservation Coordinator of the State Historic Preservation Office (Pennsylvania Historical and Museum Commission), stating that “It is an economic imperative for communities like Waynesburg to use historic preservation as a 21st-century development strategy. Heritage tourism is a major industry. By saving historic places, a community provides meaningful, authentic experiences for citizens and for visitors––and maintains a sustainable, healthy built environment. Preservation is a design ethic for creating sustainable, livable communities in the 21st century.”

    Johnna Pro, Regional Director of Community Affairs for the PA Department of Community and Economic Development, explained that the Pennsylvania Department of Community and Economic Development (DCED) has matching fund programs for community revitalization. They are very competitive, but if you have a good solid project, she wants to hear about it. DCED encourages communities to find corporate sponsors to partner with them since corporations receive tax credits through the Neighborhood Partnership Program. She also recommended the community development program of the Federal Department of Agriculture.

    Architectural historian Lu Donnelly shared images and information on the many architectural treasures in Greene County. She showed examples of the buildings that contribute to Greene County’s significant architectural heritage, including farms and outbuildings, covered bridges, historic religious properties, residential buildings, a rare, surviving coal patch town, main streets, civic and commercial buildings, rural churches, and academic buildings ranging from one-room school houses to universities.

    Clare and Duncan Horner spoke about their c. 1880 farm of 70 acres in Greene County. Since their goal is to keep the land together and maintain the historic buildings, they donated a conservation easement to PHLF, thus protecting the farm and buildings in perpetuity. The Horners talked about the process of donating an easement and the benefits that have come from their on-going relationship with PHLF.

    While enjoying a complementary box lunch, participants watched “Through the Place,” a feature-length documentary highlighting the history, achievements, and impact of PHLF since its founding in 1964. The regional preservation story was set within the context of the preservation movement nationwide and includes comments from nationally recognized architects, preservationists, authors, and historians.

    Practical tips were the focus of the afternoon sessions. Architect Ken Kulak and Bryan Cumberledge, Waynesburg Borough Code Enforcement Officer, emphasized that building codes are about life-safety issues. They discussed how architects and local officials can work together with property owners from the outset of a project to effectively navigate building rehabilitation projects. Historic construction expert Fred Smith showed samples and evaluated options for the repair or replacement of historic windows and doors.

    Participants agreed that the workshop format was effective and would serve as a model as PHLF develops additional workshops in 2018. PHLF funded the workshop thanks to donations to its 50th Anniversary Fund. More than 65 members and foundations contributed to PHLF’s 50th Anniversary Fund between 2014 and 2017. One of the goals of that fundraising effort was to help PHLF provide technical assistance to main streets and historic neighborhoods throughout the Pittsburgh region, with a particular emphasis on outlying counties where no local preservation organizations exist to assist concerned citizens.

  3. Architecture Feature: Louis Arnett Stuart Bellinger (1891-1946)

    Louis A. S. Bellinger was born in Sumter, South Carolina, on September 29, 1891. He was educated in mathematics and engineering at Howard University (B.S. in Architecture, 1914), then taught mathematics at Fessenden Academy, Ocala, Florida (1914-15), and at Allen University in Columbia, South Carolina (1916-18); he took a leave-of-absence to serve in World War I in 1917. In 1919 he and his wife Ethel Connel Bellinger arrived in Pittsburgh, where he is listed as an architect in the city directory. His first major commission was designing Central Park, home field of the African-American Pittsburgh Keystones baseball team in 1920, at the request of team owner, Alexander M. Williams. In 1922 he opened an office at 525 Fifth Avenue and advertised in the Classified Business Directory. Some Bellinger commissions were listed in the Western Pennsylvania construction magazine, The Builders’ Bulletin, beginning in 1922. He joined the office of the City Architect in 1923—the first African American to be hired—and as an assistant architect he designed a police station and remodeled service buildings in the city parks. In 1926 he received a major commission for the African Methodist Episcopal (A.M.E.) Book Concern in Philadelphia. A year later he won the commission to design the Pythian Temple in Pittsburgh for the African American Grand Lodge of the Knights of Pythias of North America, South America, Europe, Asia, Africa, and Australia, Jurisdiction of Pennsylvania. The lodge/commercial building at 2007-2013 Centre Avenue was completed in 1928 and was one of the largest and most prominent secular buildings in the predominately African American Hill District, known as Pittsburgh’s Harlem.[1]

    Between 1927 and 1929 Bellinger posted current projects in the Pittsburgh Architectural Club/Pittsburgh Chapter A.I.A. journal, The Charette. (Unlike his white colleagues, however, his contributions were not acknowledged by the editor.) While the Pythian Temple was under construction, Bellinger was one of three black architects invited to participate in the first major exhibition of the work of African American artists in the United States, sponsored by the Harmon Foundation and held in New York City, January 5-15, 1928. In 1932 Bellinger designed Greenlee Field on Bedford Avenue in the Hill District for the Pittsburgh Crawfords baseball team. Greenlee Field, called the “finest independent ball park in the country, and one of the few black-controlled ones,” [2] opened on April 29, 1932. Later that year Bellinger became the first black candidate for Congress from the 32nd Congressional district; he lost the election. (An African American did not win a Congressional seat from Pennsylvania until 1958). In 1933 Bellinger was invited to contribute to the Harmon Foundation’s second African American art exhibition. Bellinger became the first African American hired as a City of Pittsburgh Building Inspector; he held this position from 1937-1939 and from 1941-1942. He practiced architecture briefly in 1940 and resumed his architectural career in 1943.

    On February 3, 1946, Louis Bellinger died suddenly of a cerebral hemorrhage. He was 54 years old. He is buried in Allegheny Cemetery in Pittsburgh. The New Granada Theater, formerly the Pythian Temple, was placed on the National Register of Historic Places on December 27, 2010.


    [1] In 1935 the Pythians defaulted on their mortgage payments, and although ownership of the Pythian Temple would not be resolved until 1948, the lodge lost control of the building in 1936. It was remodeled by Pittsburgh architect Alfred Marks as the New Granada Theater and opened May 20, 1937.

    [2] Rob Ruck, Sandlot Seasons: Sport in Black Pittsburgh (Urbana: University of Illinois Press, 1987), 156.

  4. Architecture Feature: Edward Trumbull in Pittsburgh

    By Albert M. Tannler

    “Moses” from Edward Trumbull’s ceiling painting in the Supreme Court Room, City-County Building.

    Edward Trumbull (1884-1968) was born in Michigan. He studied painting at the Art Students’ League of New York. He subsequently worked in London circa 1911 as an assistant to Frank Brangwyn.[1] According to an interview in the Pittsburgh Index in 1917, Trumbull was recommended to Henry J. Heinz by British painter Sir Alfred East (1849-1913) and received the commission to paint murals for the Heinz administration building in Pittsburgh.[2] He returned to the USA in 1911; he lived and worked in Pittsburgh between 1912 and 1920.

    Trumbull exhibited sketches for “Decoration in the New Administration Building of the H. J. Heinz Company” at the 1912 Pittsburgh Architectural Club exhibition.[3] He participated at the 1912 and 1915 exhibitions of the Associated Artists of Pittsburgh (founded in 1910 and still active). In 1915 he painted two murals—“William Penn’s Treaty with the Indians” and “The Steel Industries of Pittsburgh”—for the Pennsylvania Building at the Panama-Pacific Exposition in San Francisco designed by architect Henry Hornbostel (1867-1961), who practiced in both New York and Pittsburgh. Three artworks—“Chinese Flamingo,” “Royal Dodo Bird,” and “Midsummer”—were displayed at the Pittsburgh Architectural Club exhibition of 1916-17.

    Trumbull moved to New York City but continued to collaborate with Hornbostel on Pittsburgh projects, painting murals for the Supreme Court Room in the City-County Building (1923), the Eugene Strassburger residence in Squirrel Hill (1928-30), and the Grant Building lobby (1931). Trumbull’s acclaimed Grant Building mural, “The Three Rivers,” is believed to be entombed above a dropped ceiling, but his Supreme Court Room murals and ceiling paintings are breathtaking: neither as impressionistic nor as boldly colored as Frank Brangwyn’s murals, they are prodigy worthy of a master muralist.[4]

    In New York City Trumbull executed the façade terra cotta bas relief on the Chanin Building, the ceiling fresco “Transport and Human Endeavor” in the Chrysler Building lobby, and murals in the Oyster Bar and Restaurant in Grand Central Terminal (1912; Guastavino tile vaulting[5]). He painted murals in the Museum of Science and Industry in Chicago.

    Select Chronological Bibliography

    Associated Artists of Pittsburgh Annual Catalogues 1912, 1915.

    Pittsburgh Architectural Club Exhibition catalogs 1912, 1916-17

    McCord, Myra Webb. “An Atelier That is Different: Edward Trumbull’s Unusual Workshop at His East End Home—Murals Are Done In An Atmosphere Remote From Pittsburgh’s Humdrum Life—Mills Offer Great Inspiration.” The Index 36:1 (January 6, 1917), 5, 15.

    Kidney, Walter C. Henry Hornbostel: An Architect’s Master Touch. Pittsburgh: Pittsburgh History & Landmarks Foundation, 2002, 46, 145,168, 169, 173, 230.

    Horner, Libby. Frank Brangwyn: A Mission to Decorate Life. London: Fine Arts Society/Liss Fine Art, 2006.

    [1] Horner 2006 shows a photograph of Brangwyn and Trumbull in the studio [116]. She notes: “Whatever qualities Trumbull may have had as an artist were forgotten when Brangwyn discovered Trumbull was a bigamist.” [242]. See “Miss Dreier Finds She is Not a Wife: Edward Trumbull, Artist, Not Legally Free When He Married Brooklyn Society Girl,” New York Times, 22 August 1911.

    [2] Myra Webb McCord, “An Atelier That is Different: Edward Trumbull’s Unusual Workshop at His East End Home—Murals Are Done In An Atmosphere Remote From Pittsburgh’s Humdrum Life—Mills Offer Great Inspiration,” The Index 36:1 (January 6, 1917), 5, 15.

    [3] Edward Trumbull’s Heinz Plant murals have been preserved at the Heinz History Center, the Historical Society of Western Pennsylvania, but are not on display. I am grateful to Kathleen Wendell for this information.

    [4] Trumbull murals in Hornbostel buildings are illustrated in Walter C. Kidney, Henry Hornbostel: An Architect’s Master Touch (Pittsburgh, 2002), 46, 145, 169, 173.

    [5] See John Ochsendorf, Guastavino Vaulting, 140-141.

  5. Exploring Architecture and Local Communities

    The photos below document a few of the many educational programs that PHLF hosted in September. They include architectural design challenges in Pine-Richland, Homestead, and West Newton (Westmoreland County); community explorations in Mt. Lebanon and Castle Shannon; and a chance to experience the former Carnegie Library on Pittsburgh’s North Side and talk with Tony Pitassi of Perfido Weiskopf Wagstaff + Goettel Architects before the historic building is renovated to include MACS’ new middle school.

    “In all that we do, we are encouraging students to become active citizens who appreciate the importance of saving and reusing historic buildings and are capable of proposing new uses for vacant lots, based on the needs of the community,” said Louise Sturgess, executive director of PHLF. “We thank the many foundations and individuals who donate to our educational programs that serve more than 5,000 students each year. Our programs are affordable, meaningful, and lots of fun.”

  6. Register for the “Greene County Heritage Workshop: Practical Ways to Care for Your Historic Building(s)”

    Saturday November 4, 2017
    9:30 a.m. to 3:00 p.m.
    Free (including a boxed lunch)

    Location: Margaret Bell Miller Middle School, 126 East Lincoln Street, Waynesburg, PA 15370

    Reservations required by October 31:; 412-471-5808, ext. 527

    More than 65 members and foundations contributed to PHLF’s 50th Anniversary Fund between 2014 and 2017. One of the goals of that fundraising effort was to help PHLF provide technical assistance to main streets and historic neighborhoods throughout the Pittsburgh region, with a particular emphasis on outlying counties where no local preservation organizations exist to assist concerned citizens.

    After much planning and with the local support of 17 co-sponsoring organizations in Greene County, PHLF is pleased to announce that it will host the first of several Heritage Workshops serving outlying counties on Saturday, November 4, at the Margaret Bell Miller Middle School in Greene County, PA.

    Click here for an agenda of speakers and topics. Although the workshop is intended for Greene County residents, anyone interested in preserving historic buildings is invited to attend.

    “Many people misunderstand how historic properties fit into a dynamic 21st-century economic environment,” said Bill Callahan, Western PA Community Preservation Coordinator of the Pennsylvania State Historic Preservation Office, Pennsylvania Historical and Museum Commission. “This workshop will look beyond limited public funding to explore how a community’s historic character fits into economic development strategies. It will outline best-practice approaches to preserve, promote, and invest in historic community character,” he added.

    Mary Beth Pastorius, a trustee of PHLF and a native of Greene County, has been instrumental in planning the conference. “PHLF is sharing its expertise in ‘Renewing Communities and Building Pride’ with rural areas outside Allegheny County that have many historic assets but little experience in ‘how to’ preserve,” she said. “I encourage anyone who cares about saving the unique character of Greene County to attend this workshop. It’s been specifically tailored to meet their needs and interests.”

  7. Thank You, Interns

    “It was a terrific help to have five undergraduate and graduate students assisting us with our educational and archival activities this summer,” said Executive Director Louise Sturgess. As a result of their help, we launched a Facebook Group for all Landmarks Scholarship recipients, completed several archival projects, selected a location and prepared materials for our 21st annual Architectural Design Challenge, began planning for a Heritage Workshop in Greene County on November 4, and offered many educational programs for people of all ages.

    We thank the following students for volunteering their time and talents to PHLF this summer:

    • James Barnett, from Bruceton Mills, WV, who is studying Public Policy, Urban Affairs, and Business at the University of Delaware;
    • Morgan Collins, from Pittsburgh, who is studying Strategic Communications at Elon University in North Carolina;
    • Ilana Kisilinsky, from Pittsburgh, who is studying Media Studies at Yeshiva University in New York City;
    • Lauren Stanley, from Belle Vernon, who is a graduate student in Duquesne University’s Public History program; and
    • Tess Wilson, from Pittsburgh, who is completing her Master’s in Library & Information Sciences at the University of Pittsburgh.

    The interns summed up their summer experiences with the following comments:

    “This summer really immersed me in valuable field work that has to do with my major and career path. I learned so much by working with the community members and historic buildings in Greene County––both crucial parts of Public Policy and Urban Planning. I enjoyed every second of it and hope the preservation workshop on November 4th goes well!” ––James Barnett

    “As a strategic communications major, I expected to be writing copy and editing photos for most of my time at PHLF. Instead, I helped with tours nearly every day of my internship. Watching groups of children, high schoolers, adults, and senior citizens react with the same awe to Pittsburgh’s architecture and its history reaffirmed my appreciation for the city I call home.” ––Morgan Collins

    “PHLF taught me to open my eyes, to really look and see, not just buildings but works of art. There are so many beautiful details that make up our city and now I will look for every one.” ––Ilana Kisilinksy

    “I enjoyed my summer at PHLF tremendously. I learned so much about Pittsburgh from its incorporation to present day. Best summer internship.” ––Lauren Stanley

    “As a youth librarian and educator, I especially enjoyed experiencing the unique ways in which PHLF programming allows kids to engage with their city. Even a single Downtown Dragons Tour can make an extraordinary impact on our young citizens, and that knowledge serves as a daily reminder of why I do what I do.” ––Tess Wilson

  8. Mary E. Tillinghast and Urania, The Muse of Astronomy

    159 Riverview Drive, Observatory Hill, 1900; Thorsten E Billquist, architect.

    By Albert Tannler

    In 1882, Western University of Pennsylvania (which became the University of Pittsburgh in 1904) moved to Allegheny City. In 1894 land was purchased at the summit of Riverview Park for a new observatory.[1] The cornerstone of the Observatory was laid on October 20, 1900 and construction began.

    La Farge created his Fortune window 1900-1902; it was installed in the Frick Building for the building opening on March 15, 1902.

    The Observatory is a scientific acropolis—a tan brick and white terra cotta hill-top temple whose Classical forms and decoration symbolize the unity of art and science. The L-shaped building consists of a library, lecture hall, classrooms, laboratories, offices, and three hemispherical domed telescope enclosures. Two were reserved for research; one for use by schools and the general public. The core of the building is a small rotunda, housing an opalescent glass window depicting the Greek muse of astronomy, Urania.

    Director Frank L. O. Wadsworth, of the observatory of the Western University of Pennsylvania, announced last evening the arrival of a stained glass window from New York as the gift of the Misses Smith, who have devoted a generous sum to the establishment of the observatory. Prof. Wadsworth says the window is to adorn the new structure of the observatory. It is pronounced one of the most artistic works of Miss Mary E. Tillinghast.

    The window, which is 9×3 feet, shows Urania, almost lifelike, standing in an open porch. Her garb is of the ancient Grecian fashion; in one hand she holds a planet, the other being raised to the heavens. Beside her resting against a pedestal is a pair of compasses; on the pedestal is the lamp of knowledge, whose flames lighten the figure. She stands between two columns. Around one is a wreath of laurel.

    Far behind her, in the moonlight, are the ruins of the Acropolis. Shining in the sky and placed relatively with astronomical precision are the moon, the evening star, planets of Pleiades. Under the figure is a delicately blended spectrum, typifying the work of the observatory.

    This thorough description of the window in the Observatory appeared in the Pittsburgh Post on July 3, 1903.[2] The donors were a pair of well-to-do philanthropic siblings, Jennie Smith (1832-1911) and her younger sister, Matilda (1837-1909). When the University moved to Allegheny City, the Smith sisters became enthusiastic supporters. John Brashear remembered them as:

    two good women that lived on the avenue just beyond the Observatory, who from the very beginning of the work of the new institution, contributed liberally, not only of their means, but gave their personal interest to many of the details of architecture, ornamentation, and other things. A beautiful window on the northern side of the building, the Riefler precision clock, the beautiful marble finish of the main building, and many other such matters were due to their interest and generosity.[3]

    The artist was Mary Elizabeth Tillinghast (1845-1912) of New York City.[4]   Like many American artists of the period, she spent several years in Europe, visiting Italy and studying painting in Paris. One of her teachers, Emile-Auguste Carolus-Duran, also taught the most famous American painter of the era, John Singer Sargent.

    In 1878 Tillinghast began a seven-year affiliation with New York artist John La Farge (1835-1910)—painter, muralist, critic, and inventor of a new process for making decorative glass windows. Tillinghast became an expert textile designer, served as manager of the La Farge Decorative Art Company, and learned the art of designing and making windows from La Farge.

    In 1878 Mary Tillinghast began a seven-year affiliation with New York artist John La Farge (1835-1910)—painter, muralist, critic, and inventor of a new process for making decorative glass windows. Tillinghast became an expert textile designer, served as manager of the La Farge Decorative Art Company, and learned the art of designing and making windows from La Farge. Urania was installed in the Observatory on July 3, 1903.

    La Farge patented his “opalescent” window glass in 1880: “The object of my invention is to obtain opalescent and iridescent effects in glass windows . . . softening the light, and, by reason of its unevenness of structure and formation [prevent] the direct passage of rays of light.”[5] This new glass was known at the time as “American Glass.” Historian Barbara Weinberg notes that La Farge developed it in order to “reconcile the color and brilliance of early glass with contemporary desires for naturalistic form . . . , to permit depiction of rounded forms and convincing space.”[6]   American Renaissance painters admired the three-dimensional realism introduced by Raphael and 15th-century Renaissance painters, and sought to emulate it—in paintings and in glass windows.

    Tillinghast’s first major window, Jacob’s Dream, was installed in 1887 in Grace Episcopal Church, New York City.   She worked from her Greenwich Village studio, primarily as a window designer, but she also designed furniture and, in one case, was architect, decorator, and glass artist for a private chapel. Her glass was exhibited and won gold medals at several World’s Fairs. In addition to church windows, she designed windows for residences, and for institutions, most notably Urania in Pittsburgh and The Revocation of the Edict of Nantes (1908) in the New York Historical Society.

    Tillinghast and La Farge each designed a window in Downtown Pittsburgh.[7] La Farge’s Fortune in the Frick Building, designed by American Renaissance architect and planner D. H. Burnham of Chicago, was installed in 1902; Tillinghast’s Urania was installed in 1903. Each window portrays female figures framed by Classical columns—art echoing the architectural character of the building.

    [1] The history of the Allegheny Observatory is taken from John A. Brashear, John A. Brashear: The Autobiography of A Man who Loved the Stars, Ed. by W. Lucien Scaife (Boston: Houghton Mifflin Company, 1924).

    [2] “Window for Western Observatory,” Pittsburgh Post, 3 July 1903, 1. See also “Artistic window presented to Allegheny Observatory by the Misses Smith of Allegheny—Put in place within the week,” The Bulletin 47:10 (June 27, 1903), 1, 14.

    [3] Brashear, Autobiography, 141-142. See also Ruth McCartin, “The Smith Sisters of Old Allegheny,” The Allegheny City Society Reporter Dispatch 1:3 (1996): 6-7, 9-10; and “Miss Matilda Smith, Philanthropist, Dies,” Pittsburgh Gazette, 1 November 1909.

    [4] Gilson Willets, “Mary E. Tillinghast,” The Art Interchange 31:6 (December 1893),146-149; “Woman Stained Glass Artist: Mary Tillinghast’s Work in Pittsburgh and Other Cities.” Pittsburgh Post, 15 July 1906; New York Times, 16 December 1912: 13; Betty MacDowell, American Woman Stained Glass Artists, 1870s to 1930s: Their World and Their Windows (Diss. Michigan State University, 1986), 254-256, 326; L. A. Richards, “An Unworthy Obscurity,” Stained Glass 89:1 (Spring 1994), 35-41, 51-52.

    [5] H. Barbara Weinberg, “John La Farge and the Invention of American Opalescent Windows,” Stained Glass 67:3 (Autumn 1972), 6.

    [6] H. Barbara Weinberg, “The Early Stained Glass Work of John La Farge (1835-1910),” Stained Glass 67:2 (Summer 1972), 10.

    [7] La Farge also designed three windows for the Presbyterian Church, Sewickley: Victory of Easter, c. 1897; Contemplative Angel, c. 1899; and Prayer and Hope, c. 1908.

Pittsburgh History & Landmarks Foundation

100 West Station Square Drive, Suite 450

Pittsburgh, PA 15219

Phone: 412-471-5808  |  Fax: 412-471-1633